Formas emergentes de creación colectiva en la redel fenómeno del fanfiction

Abstract

Traditionally, sociology has attempted to interpret the social and cultural structures that underlie the construction of the author / receiver dichotomy, including them in the debate between the hermeneutic currents that polarize the determination of the structure versus the capacity of action of the individuals (Fish, 1980). Thus, the author is described as a bulwark of the active role of cultural phenomena; Is conceptualized as the creative genius opposed to the passive reception of the audience.Moreover, the concept that sociology has been using about collective creativity in art refers to the cooperative and professionalized activity of artistic works (Becker, 2008). The creativity and collective action of non-professionalized minorities, within the limits of the entertainment industry, are studied either as representatives of subcultures or popular culture, investigated with an almost anthropological interest (García Canclini, 1989, 2001) , Or as anecdotes placed in certain socio-historical moments that are rescued from the forgetfulness to analyze why they did not triumph or their timid influences, never like creative currents with certain continuity; This can be seen in the work of Fiske (2008) in which he analyzes the reinterpretations of individuals, but does not analyze their continuities or interactions with the structures of power...