El cine de acción de John McTiernanautoria en la planificación y los movimientos de cámara

1. José Rodríguez Terceño ¹
2. Juan Enrique Gonzálvez Vallés ²
3. David Caldevilla Domínguez ¹

Exportar

Exportar

×

MLA

modern-language-association

APA

apa

Chicago

chicago-fullnote-bibliography

Harvard

harvard-cite-them-right

Vancouver

vancouver-author-date

---

RIS BibTex

Exportar

×

Non se pode exportar o documento porque pertence a outro portal.

Texto completo

lock_openDialnet dialnet lock_openTexto completo externo

DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Outras publicacións en: Opción: Revista de Ciencias Humanas y Sociales

Resumo

We take the recent defense and publication of José Rodríguez Terceño’s doctoral thesis The authorial signature in John McTiernan’s cinema: stylemes, treatment of the action genre and ideal spectator (Universidad Complutense de Madrid, España) for, from this, dig a little deeper into the audiovisual narrative film studying and analyzing in detail a formal appeal or styleme as is, or are, the camera movements to realize how personal and unique, easily identifiable and traceable use, and so imitable, is one of the central pillars on which author's signature of American director John McTiernan is structured.

Fonte de datos: Dialnet