De la crisis de la industria musical a las audiencias activasel futuro digital de la música

  1. Juan Calvi
  2. Héctor Fouce
Journal:
Telos: Cuadernos de comunicación e innovación

ISSN: 0213-084X

Year of publication: 2017

Issue Title: El futuro digital de la música

Issue: 106

Pages: 48-52

Type: Article

More publications in: Telos: Cuadernos de comunicación e innovación

Abstract

This paper offers a panoramic view on the future tendencies of music. We present the changes in patterns of consumption and also its consequences and also the arousal of active audiences as a central element of a changing model. We pay attention to how all technological and management transformations have affected the way musicians create their work.

Bibliographic References

  • Corroto, P. (2013). Le Parody: Spotify es un timo. ElDiario.es [en línea]. Disponible en: http://www.eldiario.es/turing/Spotifytimo_0_187232052.html [Consulta: 2016, 25 de noviembre].
  • IFPI (2015). Digital music report 2015. Charting the path to sustainable growth. IFPI.
  • Klein, B., Moss, G. y Edwards, L. (2015). Understanding copyright. Intellectual property in the digital age. London: SAGE.
  • Littman, J. (2006). Digital copyright. Amherst; New York: Prometeus Books.
  • Miller, L. T. ( 2013). Pandora Hurts the Songwriters and Artists It Claims to Help. Billboardbiz [en línea]. Disponible en: http://www.billboard.com/biz/articles/news/digital-and-mobile/1558322/pandora-hurts-the-songwriters-and-artists-it-claims-to [Consulta: 2016, 25 de noviembre].
  • Williams, R. (1995). The Sociology of Culture. Chicago: Chicago Press University.