La maternidad contemporánea entre la catástrofe y el sacrificioun análisis de Lo imposible

  1. Asunción Bernardez-Rodal 1
  2. Ignacio Moreno-Segarra 1
  1. 1 Universidad Complutense de Madrid, España
Revista:
L'Atalante: revista de estudios cinematográficos

ISSN: 1885-3730

Año de publicación: 2017

Número: 23

Páginas: 171-186

Tipo: Artículo

Otras publicaciones en: L'Atalante: revista de estudios cinematográficos

Resumen

Este texto analiza la imagen de la maternidad que se proyecta en la película española Lo imposible (The imposible, Juan Antonio Bayona, 2012) desde dos elementos contextuales diferentes: el cine de catástrofes y el estereotipo de la Mater dolorosa. En él se argumenta que la figura de la madre sacrificial responde a un momento específico de crisis económica y social donde las figuras tradicionales de la madre sacrificada y cuidadora aportan seguridad en un universo de incertidumbre generalizada.

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