Historias en el universo transmediaEl proyecto The Beatles Anthology
- José Carlos Rueda Laffond
- Elena Galán Fajardo
ISSN: 0188-252X, 2448-9042
Año de publicación: 2013
Número: 19
Páginas: 181-212
Tipo: Artículo
Otras publicaciones en: Comunicación y sociedad
Resumen
El presente estudio aborda algunos aspectos del proyecto The Beatles Anthology (1995-2000) como ejemplo de creatividad simbólica y propuesta transmedia de memoria, mediante una perspectiva propia de la historia de la comunicación social y la interpretación narrativa. Se propone un enfoque comparado, que sitúa The Beatles Anthology en una secuencia histórica más amplia sobre la transmediación de la obra musical e icónica del grupo británico. Finalmente, aborda las respuestas suscitadas desde diversas comunidades interpretativas.
Referencias bibliográficas
- Altman, R.. (2000). Los géneros cinematográficos. Paidós. Barcelona.
- Amazon. The Beatles Anthology forum.
- (2009).
- (20 d).
- Brooker, W.. (2001). Living on Dawson's Creek: Teen viewers, cultural convergence and television overflow. The International Journal of Cultural Studies. 4. 456-472
- Brooker, W.. (2002). Using the force. Creativity, community and StarWars fans. Continuum. Londres.
- Brooker, W.. (2009). All our variant futures: The many narratives of Blade Runner: The Final Cut. Popular Communications. 79-91
- Carroll, N.. (2003). Engaging the moving image. Yale University Press. New Haven^eCT CT.
- Cavalli, O., González, M.. (2008). Free as a bird.
- Cavalli, O., González, M.. (2008). Mother divine.
- Choudhury, B.. (2005). English social and cultural history. An introductory guide and glossary. Prentice Hall. Nueva Delhi^eDelhi Delhi.
- (2008). John Lennon-Free as a bird (original).
- Cott, J., Dalton, D.. (1969). The Beatles get back. Apple Publishing. Londres.
- Davidson, D.. (2008). Stories in between: Narratives and mediums play.ETCPress creative commons.
- Ferguson, N.. (1998). Historia virtual. ¿Qué hubiera pasado sí...?. Taurus. Madrid.
- Foster, C., Dubrofsky, S., Malone, C.. (2009). The Beatles: Rock band. Harmonix Music SystemMTV Games.
- Freedberg, D.. (1992). El poder de las imágenes. Estudios sobre la historia y la teoría de las respuestas. Cátedra. Madrid.
- Frontani, M.. (2007). The Beatles: Image and the media. University Press of Mississippi. Jackson^eMS MS.
- Gilmore, H.. (2002). Harrison by the editors of Rolling Stone. Simon & Schuster. Nueva York. 16-51
- Godley, K.. (1995). Real love. Apple.
- Goldman, A.. (1988). The lives of John Lennon. Bantam. Londres.
- Granados, S.. (2002). Those were the days: An unofficial history of the Beatles Apple Organization, 1967-2001. Cherry Red Books. Londres.
- Harrison, G., Spector, P.. (1970). All things must pass. AppleEMI.
- Harrison, O.. (2011). George Harrison. Living in the material world. Abrams Books. Londres.
- Homan, S.. (2006). Access all eras. Tribute bands and global pop culture. Open University Press. Maidenhead. 67-81
- Hoskins, A.. (2011). On media memory: Collective memory in a new media age. Palgrave Macmillan. Londres. 278-287
- Idle, E., Weis, G.. (1978). All you need is cash. BBC. Londres.
- (2009). The Beatles: Rock band-Come together.
- Inglis, I.. (2005). The continuing story of John Lennon. Critical Studies in Media Communication. 22. 451-455
- Jankowski, N. H, Hanssen, L.. (1996). The contours of multimedia. Recent technological, theoretical and empirical developments. University Press. Lu-ton.
- Jenkins, H.. (2003). Transmedia storytelling. En Technology Review.
- Jenkins, H.. (2008). Convergence culture. La cultura de la convergencia de los medios de comunicación. Paidós. Barcelona.
- Jenkins, H.. (2009). Fans, blogueros y videojuegos. La cultura de la colaboración. Paidós. Barcelona.
- Jenkins, H.. (2010). Piratas de textos. Fans, cultura participativa y televisión. Paidós. Barcelona.
- Jenkins, H., Clinton, K., Purushotma, R., Robison, A., Weigel, M.. (2009). Confronting the challenges of participatory culture: Media education for the 21st Century. The MIT Press. Cambridge^eMA MA.
- Jing, W.. (2006). Nostalgia as content creativity. Cultural industries and popular sentiment. International Journal of Cultural Studies. 9. 359-368
- Judt, T.. (2006). Postguerra. Una historia de Europa desde 1945. Taurus. Madrid.
- Kirkland, M.. (1993). Homer's barbershop quartet. The Simpson. Quinta temporada. Fox Television. Los Angeles.
- Kitch, C.. (2002). Anniversary journalism, collective memory, and the cultural authority to tell the story of the American past. Journal of Popular Culture. 36. 175-184
- Kozinn, A.. (1995). The Beatles. From the cavern to the rooftop. Phaidon Press. Nueva York.
- (2007). The Beatles-Free as a bird (with references).
- Lindsay-Hogg, M., Aspinall, N.. (1970). Apple Film.
- (2009). Let it be (doublé leadguiter version)-The Beatles.
- Mäkelä, J.. (2004). John Lennon imagined. Cultural history of a rockstar. Peter Lang. Nueva York.
- Martin, G.. (1967). Sgt. Pepper's Loney Hearts Club Band. Parlophone.
- Martin, G.. (1968). The Beatles/The white album. Apple Records.
- Martin, G.. (1969). Abbey Road. Apple Records.
- Martin, G.. (1973). The Beatles, 1962-1966. Apple Records.
- Martin, G.. (1995). Anthology. EMI Records.
- Martin, G.. (2000). One. EMI.
- Martin, G., Martin, G.. Love. AppleCapitolEMI.
- Martin, G., Spector, P.. (1973). The Beatles, 1967-1970. Apple Records.
- Meyers, O., Zandberg, E.. (2011). The sound-track of memory. Ashes and Dust and the commemoration of the Holocaust in Israeli popular culture. Media, Culture & Society. 24. 398-408
- Mikel, G.. (2002). Harrison by the editors of Rolling Stone. Simon & Schuster. Nueva York. 16-51
- (2010). The Beatles "Free as a bird"-with references-clues.
- Mittell, J.. (2006). Lost in an alternate reality. Flow.
- (2009). ¿Pista importante en canción free as bird de los beatles?.
- Neiger, M., Zandberg, E., Meyers, O.. (2011). On media memory: Collective memory in a new media age. Palgrave Macmillan. Londres. 1-25
- Norman, P.. (1981). Shout!. Ultramar. Madrid.
- Perryman, N.. (2008). Doctor Who and the convergence of media. A case study in transmedia storytelling. Convergence: The International Journal of Research into New Media Technologies. 14. 21-39
- Pickering, M., Keightley, E.. (2006). The modalities of nostalgia. Current Sociology. 54. 919-949
- Pytka, J.. (1995). Free as a bird. Apple.
- Reading, A.. (2011). On media memory: Collective memory in a new media age. Palgrave Macmillan. Londres. 241-251
- Robertson, A.. (2010). Mediated cosmopolitanism. The world of television news. Polity Press. Londres.
- Roylance, B.. (2000). The Beatles Anthology. Chronicle Books. San Francisco^eCA CA.
- Ryan, M.. (2001). Narrative as virtual reality: Immersion and interactivity in literature and electronic media. John Hopkins University Press. Baltimore^eMD MD.
- Schultz, M.. (1978). Sgt. Pepper's lonely hearts club band. Universal Pictures. Los Angeles^eCA CA.
- (2008). The Beatles show link between positive experiences and how memories are shaped.
- Scorsese, M.. (2011). George Harrison. Living in the material world. Grove Street Pictures. Nueva York.
- Smeaton, B.. (2010). The story of Apple Records.
- Spector, P.. (1970). Let it be. Apple Records.
- Tarazona, J., Gil, R.. (2010). George Harrison: de Beatle a jardinero. Milenio. Lleida^eCataluña Cataluña.
- Taymor, J. (2007). Across the universe. Columbia Pictures. Los Angeles^eCA CA.
- (2011).
- Turner, G.. (2010). Ordinary people and the media: The demotic turn. Sage. Londres.
- (2009). George Harrison Rare mother divine.
- Wenner, J. S.. (2001). Lennon remembers. Verso. Londres.
- Willis, P.. (2005). Popular culture. A reader. Sage. Londres. 241-248
- (2009). The Beatles: Real love-tomas alternas (alternate takes).
- Womack, K., Davis, T. F.. (2006). Reading The Beatles. Cultural studies, literary criticism, and the fab four. University of New York Press. Nueva York. 97-109
- Wonfor, G.. (2003). The Beatles Anthology. Apple. Londres.
- (2009). How John Lennon wrote "Real Love" and "Stepping Out" (Part 1).
- (2009). How John Lennon wrote "Real love"and "Steppingout" (Part 2).