Poéticas transitivas. De la tempestad de Giorgione a Stalker de Tarkovski
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Universidad Complutense de Madrid
info
ISSN: 1012-1587
Argitalpen urtea: 2015
Zenbakia: 3
Orrialdeak: 1041-1062
Mota: Artikulua
Beste argitalpen batzuk: Opción: Revista de Ciencias Humanas y Sociales
Laburpena
The following text wishes to demostrate how some works of art, texts or films are built based on the creation of ambiguity between the text, the story and images. I will apply some examples of works or art where their evocative, senseless and even contradictory images, opens up the reception capacity of the spectator. I will use the "Benjaminian methodology" as a collection of fragments can active the capacity to generate his or her own thoughts. As a cinematographic editing, it´s the the spectator of these works and the reader of this text who establishes new relations and meaning.