"Palimpsesto" cinematográficorescribiendo y releyendo "The Tempest" de William Shakespeare
ISSN: 1578-3820
Datum der Publikation: 2013
Nummer: 14
Seiten: 57-70
Art: Artikel
Andere Publikationen in: Odisea: Revista de estudios ingleses
Bibliographische Referenzen
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- H , V.R. 1999. El posmodernismo y otras tendencias de la novela española (1967-1995). Madrid: Fundamentos.
- H , L.M. 1998. “The Incorporation of Word as Image in Prospero’s Books”. Postscript 17, II: 8-25.
- K , R. P. 1998. “The Film Text and Film Form”. The Oxford Guide to Film Studies. Eds. J. Hill y P. Church Gibson. Oxford: Oxford University Press. 11-30.
- K , J. 1986. “Word, Dialogue, and the Novel”. The Kristeva Reader. Ed. T. Moi. New York: Columbia University Press. 35-61.
- L , V. B. et al., eds. 2001. The Norton Anthology of Theory and Criticism. New York: Norton.
- McKEE, A. 2007. “Jonson vs. Jones in Prospero’s Books”. Literature Film Quarterly 25, II: 121-128.
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- R , M. 2007. Literary Theory: a Practical Introduction. Oxford: Blackwell. S , W. 1611. The Tempest. Eds. V. Mason Vaughan y A. T. Vaughan. London: Arden Shakespeare.
- S , M. A. 1989. “Discourse and the Individual: The Case of Colonialism in The Tempest”. Shakespeare Quarterly 40, I: 42-69.
- T , R. 2007. “Moving Pictures, Still Lives: Staging National Tableaux and Text in Prospero’s Books”. Cinema Journal 46, III: 26-53.
- T , J. 2000. “Caliban’s Books: The Hybrid Text in Peter Greenaway’s Prospero’s Books”. Cinema Journal 40, I: 104-126.
- V -V , E. 2007. “Heritage and Literature on Screen: Heimat and Heritage”. The Cambridge Companion to Literature on Screen. Eds. D. Cartmell y I. Whelehan. Cambridge: Cambridge University Press. 123-137.