La habanera en la zarzuela española del siglo diecinueveIdealización marinera de un mundo tropical

  1. Víctor Sánchez Sánchez
Journal:
Cuadernos de Música, Artes Visuales y Artes Escénicas

ISSN: 2215-9959

Year of publication: 2006

Volume: 3

Issue: 1

Pages: 4-26

Type: Article

More publications in: Cuadernos de Música, Artes Visuales y Artes Escénicas

Abstract

The habanera genre became fashionable in Europe during the second half of the nineteenth century, inserting Afro–Cuban rhythms into European songs. The present article examines the presence of the habanera (or tango) in the Spanish zarzuela repertory, using significant examples to analyse its musical and dramatic characteristics. Three kinds of habaneras thus emerge: the habanera evoking the sea, nostalgia for tropics (especially the sensuality of tropical women) and, at the end of the century, a decontextualised assimilation leading the genre towards the tanguillo flamenco or converting its musical elements into compositional resources.