Tying Victorian Bond(s) for the Resurrection of Her Majesty’s Secret Service

  1. Valls Oyarzun, Eduardo 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Revista:
Amaltea: revista de mitocrítica

ISSN: 1989-1709

Año de publicación: 2017

Número: 9

Páginas: 43-60

Tipo: Artículo

DOI: 10.5209/AMAL.55103 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Amaltea: revista de mitocrítica

Objetivos de desarrollo sostenible

Resumen

El fenómeno James Bond ha sido abordado para discutir nociones de identidad británica, ética imperialista, revisiones de la masculinidad y comodificación de la clase media. Con todo, el canon crítico que ha tratado el fenómeno no ha explorado los orígenes ideológicos del mito, a saber, la teoría del Héroe de Thomas Carlyle (1795-1881), patrón principal de la ideología victoriana de la norma. El presente artículo explora la película Skyfall (2012) de Sam Mendes como análisis profundo del mito Bond como constructo carlyleano (vale decir también, Victoriano), a través de la idea de “resurrección” (uno de los motivos más significativos del film). El artículo concluye que la película abraza y celebra la ideología Victoriana (con sus ideas de estabilidad y dependencia) integradas en el fenómeno James Bond como mito.

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Información de financiación

This article was supported by the research project “Pensamiento y Representación Literaria y Artística Digital Ante la Crisis de Europa y el Mediterráneo”, PR26/16-6B-2, Santander-Complutense.

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Fuente de los datos: Dialnet