Arqueologia e cinema, uma história em comum

  1. Zapatero, Gonzalo Ruiz
  2. Castaño, Ana Maria Mansilla
Revista:
Revista de Arqueología Pública: Revista eletrônica do Laboratòrio de Arqueologia Pública de Unicamp

ISSN: 2237-8294

Año de publicación: 2008

Volumen: 3

Número: 1

Páginas: 19-31

Tipo: Artículo

DOI: 10.20396/RAP.V3I1.8635800 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Revista de Arqueología Pública: Revista eletrônica do Laboratòrio de Arqueologia Pública de Unicamp

Resumen

O presente artigo analisa as relações entre a arqueologia e o cinema, apresentando três diferentes tipos de cinema arqueológico, o documentário, o docudrama e a dramatização ou cinema de fição pretérita. Destaca-se seu potencial didático, a partir da experiência da sua utilização prática de visionado e avaliação crítica dentro do programa formativo universitário de Pre-história na UCM.

Referencias bibliográficas

  • AGUILERA, H. 1990 Infografía, comunicación humana y evolución social. In: H. Aguilar, M. de Vivar et alii (eds), Las nuevas imágenes de la comunicación audiovisual en España. Madrid. Fundesco.
  • APPLEBY, G. A. 2005 Crossing the rubicon: fact or fiction in Roman re-enactment, Public Archaeology, 4: 257-265.
  • ARCHAEOLOGY & YOU 2004 Movies, Television Programs, and Videos about Archaeology, (http://www.saa.org/publications/ArchAndYou/learning/movies.html).
  • BAHRAMI, B. 2006 Channeling Archaeology. In: Archaeology, 59 (2), march/april: 55.
  • BARRA, T. 1998 Screening the Past: Film and the Representation of History. Westport. Praeger.
  • BARKER, PH. 1982 Techniques of archaeological excavation Londres. B. T. Batsford, Ltd.
  • BAXTER, J. 2001 Archaeology Hollywood-style and Beyond. In: The SAA Archaeological Record, 1 (5): 21-23.
  • BAXTER, J. 2002 Teaching with “Indie”: Using Film and Television to Teach Archaeology. In: TheSAA Archaeological Record, 2 (5): 18-20.
  • BOURDIAL, I. 2002 La Préhistoire comme si vous y étiez. L ́Odissée de l ́Espéce. In: Science & Vie, 1023: 168-175.
  • CARNES, M. C. (Ed.) 1995 Past Imperfect: History According to the Movies. Nueva York. Henry Holt and Company.
  • CLACK. T. & BRITTAIN, B. M. 2007 Archaeology and the Media. Oxford. Berg Publishers.
  • CHANNEL 4 2005 Time Team (http://www.channel4.com/history/timeteam). Acceso 1-VII-06.
  • DANIEL, G. 1978 Introduction. In R. Sutcliffe (ed.) Chronicle:Essays from Ten Years of Television Archaeology. Londres. BBC: 7-9.
  • DAY, D. H. 1997 A Treasure Hard to Attain: Images of Archaeology in Popular Film, with a Filmography. Boston. Scarecrow Press.
  • DOWNS, M., ALLEN P. S., MEISTER, M. J. Y LAZIO, C. 1995 Archaeology on Film. Boston. The Archaeological Institute of America.
  • FAGAN, G. G. 2003 Far- out television. In: Archaeology, 56 (3): 46-50.
  • FELICI DE, R. 2000 Émotions et langages dans le roman préhistorique de J. H. Rosny Aîné. In: A. J. Ducros (dirs.) L ́Homme Préhistorque. Images et im aginaire. Paris. L ́Harmattan:
  • FINN, C. 2001 Mixed Messages – Archaeology and the Media. In: Public Archaeology, 1: 261-268.
  • FORTE, M. Y SILIOTTI, A. Eds. 1997 Virtual Archaeology. Londres. Thames and Hudson.
  • FRASER, G. M. 1988 The Hollywood History of the World. Londres. Harwill Press.
  • GAMBLE, C. 2003a Walking tall, not talking heads. Resenha de “Walking with Cavemen”. In: Nature, 422: 473.
  • GAMBLE, C. 2003b Arqueología Básica. Barcelona. Ariel.
  • GARCÍA BEGUERÍA, A. & LÉRIDA LAFARGA, R. 2006 Gladiator. El cine y su aplicación didáctica(http://clio.rediris.es/fichas/Gladiator/GLADIATORL.htm).
  • GOWLETT, J. 1990 Indiana Jones: crusading for archaeology? Recensão de S. Spielberg (dir.) Indiana Jones and the Last Crusade. In: Antiquity,64: 157.
  • HAINES, T. 2002 Caminando entre las Bestias. Un safari prehistórico. Barcelona, Planeta.
  • HALL, M. A. 2004 Romancing the Stones: Archaeology in Popular Cinema. In: European Journal of Archaeology, 7 (2): 159-176.
  • HANSON, W. S. Y RAHTZ, P. A. 1988 Video recording on excavations. In: Antiquity, 62: 106-111.
  • HERNÁNDEZ DESCALZO, P. J. 1997 “Luces, Cámara, ¡Acción!: Arqueología, Toma 1”. In: Complutum, 8: 311-334.
  • HODGSON, J. 2001 Archaeological Reconstruction: Illustrating the Past. Institute of Field Archaeologists. IFA Paper, no 5.
  • IBARS FERNÁNDEZ, R. & LÓPEZ SORIANO, I. 2006 Historia y el cine (http://www. antroposmoderno.com/antro-articulo.php?id-_articulo=919).
  • JOHANSON, M. A. 2003 Real Archaeologists Wear Whips. In: Archaeology, 56 (6): 58.
  • KULIK, K. 2006 Archaeology and British television. In: Public Archaeology, 5: 75-90.
  • LAMBOTTE, B. 1990 Le cinéma au service de l ́archéologie. Lieja. Mémoires de Préhistoire Liégeoise.
  • LANDAU, D. Ed. 2000 Gladiator – The Making of the Ridley Scott Epic. Londres. Boxtree.
  • LERONGE, J. 2006 La Historia a lo loco. Madrid. Editorial SM.
  • LEWUILLON, S. 2002 Archaeological Illustrations: a new development in 19th century science. Antiquity, 76: 223-234.
  • LILLO REDONET, F. 1994 El cine de romanos y su aplicación didáctica. Madrid, Ediciones Clásicas.
  • LYONS, A. et alii 2005 Antiquity and Photography: Early Views of Ancient Mediterranean Sites. J. Paul Getty Museum, Getty Trust Publications.
  • LYNCH, J. & BARRETT, L. 2003 Walking with Cavemen. Nova Iorque. DK Publishing.
  • MASTER 2006 MA in Archaeology for Screen Media, (http://www.bristol.ac.uk/archanth/
  • postgrad/screema.hmtl).
  • MEMBURY, S. 2002 The Celluloid Archaeologist – an x-rated exposé. In M. MILLARD, A. Y NOON, S. 1999 A street through time: a 12000 year journey along the same street. Londres. Dorling Kindersley.
  • MORENO I GIMÉNEZ, V. A. 2002 Cine y Prehistoria. In: Caleidoscopio, 5, 2002 (http://www.uch.ceu.es/caleidoscopio/numeros/cinco/moreno.htm).
  • MOSER, S. 1998 Ancestral images. The iconography of Human Origins. Ithaca. N.Y. Cornell
  • University Press.
  • PAYNTON, C. 2002 Public Perception and “Pop Archaeology”: A Survey of Current Attitudes Toward Televised Archaeology in Britain. In: The SAA Archaeological Record, 2 (2): 33-36 y 44.
  • PEPLUM 2006 Images de l ́Antiquité Cinema et BD (http://www.peplums.com). Acesso 10-06.
  • POHL, J. M. D. 1996 Archaeology in film and television. In B. M. Fagan (ed.) The Oxford Companyon to Archaeology:. Oxford. Oxford University Press: 574-575.
  • PRIETO ARCINIEGA, A, 2004 La Antigüedad filmada. Madrid. Ediciones Clásicas.
  • QUESADA, F. 2005 Alejandro ante Tiro, asedio salvaje. In: La Aventura de la Historia, 75: 82-91.
  • ROSENSTONE, R. A. 1995a Visions of the Past: the Challenge of Film to Our Idea of History. Cambridge. Harvard University Press.
  • ROSENSTONE, R. A. 1995b Revisioning history: film and the reconstruction of a new past. Princeton. Princeton University Press.
  • ROSENSTONE, R. A. 1997 El pasado en imágenes. El desafío del cine a nuestra idea de la historia. Barcelona. Ariel. Rosenstone, R. A. 2005 La Audiencia modela la Historia. In J. Montero & J. Cabeza (eds.) Por el precio de una entrada. Estudios sobre Historia Social del cine: Madrid, Ediciones Rialp: 337-350.
  • ROSNY, J. H. 2004 La conquista del fuego. Barcelona. Hipòtesi, S,L.
  • RUSSELL, L. 2002a Archaeology and Star Trek: exploring the past in the future. In SÁNCHEZ-ESCALONILLA, A. 2004 Steven Spielberg. Entre Ulises y Peter Pan. Madrid. Cie Inversiones Editoriales Dossat
  • SILBERMAN, N. A. 1999 Is Archaeology Ready for Prime Time?, Digging and Discovery as Mass Enterteinment. In: Archaeology, May/June: 79-82.
  • SMITH, S. & MOSER, S. Eds. 2005 Envisioning the Past. Archaeology and the Image. Oxford. Blackwell Publishing.
  • SOLOMON, J. 2002 Peplum. El mundo antiguo en el cine. Madrid. Alianza Editorial.
  • SOLOMON, J. 2006 Viewing Troy: Authenticity, Criticism, Interpretation. In: Winckler, M. M. Troy: From Homer ́s Iliad to Hollywood Oxford, Blackwell: 85-98.
  • STEELE, PH. & NOON, S. 2006 Una ciudad a través del tiempo. Barcelona. Blume.
  • TRINGHAM, R. 2006 Anthropology 136i: Archaeology and the Media: Digital Narratives in, for, and about Archaeology (http://www.mactia.berkeley/edu/courses/Anthro136i/html/136iSu06_intro.html). Acesso 31-IX-06.
  • VAN DYKE, R. M. 2006 Seeing the Past: Visual Media in Archaeology. In: American Anthropologist, 108 (2): 370-384.
  • VERRETH, H. 2003 De Oudheid in Film. Filmografie. Universidad de Lovaina (http://www.ars.kuleuve.be/alo/klasieke/docs/film) .
  • WATRALL, E. 2002 Digital pharaoh: archaeology, public ducation and interactive entertainment. In: Public Archaeology, 2: 163-169.
  • WINCKLER, M. M. Troy: From Homer ́s Iliad to epic: Oxford, Blackwell.
  • WYKE, M. 1997 Projecting the past: ancient Rome, cinema, and history. Nueva York. Routledge.
  • ZARMATI, L. 1995 Popular archaeology and the archaeologist as hero. In: J. Balme y Beck, W. eds. Gendered Archaeology. The Second Australian Women in Archaeology Conference. Canberra. ANH Publications: 43-47.
  • ZORPIDU, S. 2004 The Public Image of the Female Archaeologist. The Case of Lara Croft. In H. Bolin ed. The Interplay of Past and Present: Huddinge. Södertörns högskola: 101-107.