La articulación de la memoria histórica en Drawings for projection, de William Kentridge

  1. Manzano Espinosa, Cristina 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Journal:
Fotocinema: revista científica de cine y fotografía

ISSN: 2172-0150

Year of publication: 2020

Issue Title: El cine y la memoria

Issue: 20

Pages: 79-109

Type: Article

DOI: 10.24310/FOTOCINEMA.2020.V0I20.7593 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Fotocinema: revista científica de cine y fotografía

Abstract

The consideration of the animation series Drawings for Projection (William Kentridge, 1989-2011) as an incisive reflection on the concept of historical memory is systematized in this article from various creative aspects. Artistic techniques, film language and the reflection of the author’s identity into the two main characters aim to explore the reminder of South African Apartheid and its termination, in parallel with the sessions of the Truth and Reconciliation Commission. Representative elements of historical, collective and individual memory in the series also allow to asses changes in the process, regarding that the series were originally composed by nine titles to which Kentridge added a tenth in 2011.

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Data source: Dialnet