La sociedad iletrada como utopía política en la antigua China (y hoy mismo)

  1. Conde, Juan Luis 1
  2. Zhao, Lin 2
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

  2. 2 Universidad de Finanzas y Economía de Guizhou
Zeitschrift:
Anales del seminario de historia de la filosofía

ISSN: 0211-2337

Datum der Publikation: 2020

Ausgabe: 37

Nummer: 2

Seiten: 195-202

Art: Artikel

DOI: 10.5209/ASHF.64946 DIALNET GOOGLE SCHOLAR lock_openOpen Access editor

Andere Publikationen in: Anales del seminario de historia de la filosofía

Zusammenfassung

Our paper is intended to follow the streams of thought along Chinese classicism that fostered hostility towards literary culture and merged into Han Feizi's work, by mid-3rd Century BC. On the one hand, Confucian tradition was prone to an elitist and anti-democratic approach to government, and set a precedent for mistrust in the use of eloquence and bookish culture. On the other, Taoism developed a theoretical contempt towards intellectualism, material culture, and scientific and technical progress, going as far as to fancy unlettered utopias. On the basis of sheer utility and functionality, the Legalist school, whose latest link is represented by Han Feizi, would be receptive to both streams and take mistrust in traditional literary culture to its height. Assimilation of these ideas by Qin Shihuang, the First Emperor, led to implementation of anti-literary radicalism by banning any freedom of speech and, ultimately, by burning books and erudites. Mutatis mutandis, we suggest that a connection may be drawn between that historical process and today's Neoliberal hostility towards the Humanities.

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