Experimentación, proceso y bocetovariables de los procesos creativos en la conformación de las vanguardias y su legado a la creatividad contemporánea
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Universidad Nebrija
info
ISSN: 1989-9548
Année de publication: 2013
Número: 8
Pages: 53-62
Type: Article
D'autres publications dans: Arte y movimiento: revista interdisciplinar del Departamento de didáctica de la expresión musical, plástica y corporal
Résumé
Experimentation, as a way and/or methodology for artistic creation, has represented a significant symbol since the birth of modern western thought. The methods that Brunelleschi used for creating lineal perspective, in a trial and error manner and backbone of what would later become the Scientific Method, constitute the foundations and ways based on experimentation that identify art processes in the Western world since the Renaissance, as we pointed out. The emergence of the draft as a part of the creative processes of those artists who started modern art forms, those artists who worked in their workshops, is the most significant element in this new conduct. The second turn in modernity represented by the Historic Vanguards; make experimentation-based processes a hallmark, focusing their attention in the act of processing itself. It is indeed, the artist’s change in attitude and intention – the artist’s assumed risk – what turns experimentation in methodology. And it is what allowed for the birth of many new movements and the foundation of the Historic Vanguards. It is a legacy that has come all the way into our contemporary world, and which is present in all the methodologies in artists’ workshops, in classroom-workshops, in any artist’s intention. However, in the beginning of the 21st century, after a postmodern period that took us to a context of confusion in the definition of Art, its processes, its methodologies, and its knowledge models, we find it necessary to redefine new patterns, new paradigms.
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