"Componiendo" la negociación. Música y relaciones internacionales en la historiografía actual

  1. Morales Tamaral, José Manuel 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Revista:
Cuadernos de historia contemporánea

ISSN: 0214-400X 1988-2734

Año de publicación: 2015

Título del ejemplar: Dossier: España como potencia turística. Una visión a largo plazo

Número: 37

Páginas: 323-334

Tipo: Artículo

Otras publicaciones en: Cuadernos de historia contemporánea

Referencias bibliográficas

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  • WeisBrode, Kenneth: Old Diplomacy Revisited, New York, Palgrave Macmillan, 2014.
  • Jessica C. E. Gienow-Hecht, “Trumpeting Down the Walls of Jericho: The Politics of Art, Music and Emotion in GermanAmerican Relations, 1870-1920”, Journal of Social History, 36/3, (2003), pp. 585-613;
  • Jessica C. E. Gienow-Hecht, Sound Diplomacy. Music and Emotions in Transatlantic Relations, 1850-1920, Chicago, University of Chicago Press, 2009;
  • Jessica C. E. Gienow-Hecht, “The World Is Ready to Listen: Symphony Orchestras and the Global Performance of America”, Diplomatic History, 36/1 (January 2012), pp. 17-28 –dentro del dossier titulado “Musical Diplomacy: Strategies, Agendas, Relationships”–.
  • Jessica C. E. Gienow-Hecht, editora de Emotions in American History. An International Assessment, New York, Berghahn Books, 2010.
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  • CROFT, Clare: Dancers as Diplomats: American Choreography in Cultural Exchange, New York, Oxford University Press, 2015.
  • APPLEGATE, Celia: Bach in Berlin: Nation and Culture in Mendelssohn’s Revival of the St. Matthew Passion, New York, Cornell University Press, 2005.
  • OSTERHAMMEL, Jürgen y MÜLLER, Sven O.: “Geschichtswissenschaft und Musik”, Geschichte und Gesellschaft, 38/1 (2012), pp. 5-20.
  • BOHLMAN, Philip V. (ed.): The Cambridge History of World Music, Cambridge, Cambridge University Press, 2013.
  • FRANK, Robert: « Conclusions », Relations Internationales, 156/1 (2014), pp. 139-145.