Ruido, luz artificial y olor. Criminología verde y cultural aplicada al eco acústico-sensorial de los espacios urbanos

  1. Ascensión García Ruiz 1
  2. Nigel South 2
  1. 1 Universidad Nacional de Educación a Distancia
    info

    Universidad Nacional de Educación a Distancia

    Madrid, España

    ROR https://ror.org/02msb5n36

  2. 2 University of Essex
    info

    University of Essex

    Colchester, Reino Unido

    ROR https://ror.org/02nkf1q06

Aldizkaria:
Revista Española de Investigación Criminológica: REIC

ISSN: 1696-9219

Argitalpen urtea: 2020

Alea: 18

Zenbakia: 1

Mota: Artikulua

DOI: 10.46381/REIC.V18I1.345 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Beste argitalpen batzuk: Revista Española de Investigación Criminológica: REIC

Laburpena

This article analyses distinct features of noise in urban spaces through the perspectives of green criminology and cultural criminology and highlights the sensory convergence between noise, odour, and artificial light. It contributes to the development of an emerging “visual, olfactory, sensory criminology” and to the study of uses, and aesthetic meanings, of urban and cultural life. Drawing on the idea of an ‘eco-city’, it proposes a pattern for urban life that offers a more peaceful and less conflictual environmental lifestyle. To this end, we adopt methods that have been provided by interpretive sociology, as elaborated within green cultural criminology, and suggest practices of conflict resolution as alternative measures of response to crime and the usual punishments. The study focuses on cities from the Spanish and wider European context and includes several international archetypes. Working through this itinerary leads us to emphasize the importance of designing a ‘criminological mapping’ of these phenomena combined with restorative justice methodology to establish connections between sensory space and soundscape, and crime or environmental social damage.

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