An archetypal analysis of Katniss Everdeen from The Hunger Games

  1. Zalbidea Paniagua, Maya 1
  1. 1 Profesora Asociada Departamento de Estudios ingleses Facultad de Filología Universidad Complutense de Madrid
Revista:
Cuestiones de género: de la igualdad y la diferencia

ISSN: 1699-597X

Ano de publicación: 2021

Título do exemplar: La agencia femenina en las narrativas audiovisuales = The female agency in audiovisual narratives / coordinado por Mª. Teresa Vera Balanza, Elia Saneleuterio, María Jesús Ruiz Muñoz y Daniele Leoz.

Número: 16

Páxinas: 270-280

Tipo: Artigo

DOI: 10.18002/CG.V0I16.6932 DIALNET GOOGLE SCHOLAR lock_openAcceso aberto editor

Outras publicacións en: Cuestiones de género: de la igualdad y la diferencia

Resumo

Suzanne Collins’ The Hunger Games trilogy invites to reflect on the exchange of gender roles metaphorically performed by a female and male protagonists who play the warrior as well as the family protector roles. From a myth-critical theoretical framework and applying psychoanalysis in literature methodology, this article will provide a feminist analysis of The Hunger Games trilogy (2008-2020) focusing on how the protagonists, Katniss Everdeen and Peeta Mellark, deconstruct gender stereotypes. Peeta Mellark will be regarded as a future man who supports gender equality while Katniss Everdeen will be considered a representation of goddesses’ archetypes applying Carl Gustav Jung’s (1970) approach on archetypes and collective unconsciousness as well as Jean Shinoda Bolen’s (2010) theories of feminine psychology based on Greek goddesses archetypes.

Referencias bibliográficas

  • Anam, Choerul and Taufiqurrahman, Febri (2020): “The Appearance of Gender in the Main Characters in The Hunger Games (Gender Analysis)”. In: World Conference on Gender Studies, KnE Social Sciences, pp. 102–107. Available in: https://knepublishing.com/index.php/KnE-Social/article/view/7397 [27/02/2021].
  • Bolen Shinoda, Jean (2014): Artemis: The Indomitable Spirit in Everywoman. San Francisco: Coneri Press.
  • Bolen Shinoda, Jean (1984): Goddesses in Everywoman: Powerful Archetypes in Women's Lives. New York: Harpercollins.
  • Cixous, Hélène (1975): “The Laugh of the Medusa”. In: Feminisms: An Anthology of Literary Theory and Criticism, Houndmills: Macmillan Press.
  • Collins, Suzanne (2008): The Hunger Games. New York: Scholastic Press.
  • Everett, Sheila (2008): “Suzanne Collins Q & A conversation”. Interview by Sheila Marie Everett, Scholastic Inc. Available in: http://mediaroom.scholastic.com/files/Suzanne_Collins_Q&A_on_Letterhead_Mockingjay.pdf [27/02/2021].
  • Journal Psyche (1994-2018): “The Jungian Model of the Psyche”. Available in: http://journalpsyche.org/jungian-model-psyche/ [27/02/2021].
  • Janes, Linda (2003): “The Gendered Cyborg: A Reader”. In “Feminist Theory and Science Fiction”, edited by Veronica Hollinger, 92. Cambridge: Cambridge University Press.
  • Jung, Carl G. (2014): The Archetypes and the Collective Unconscious. Translated by R.F.C. Hull, London and New York: Routledge.
  • Lawrence, Francis (2012): The Hunger Games: Mockingjay-Part I, Film.
  • Lawrence, Francis (2015): The Hunger Games: Mockingjay-Part II, Film.
  • Saez Garrido, Ana (2017): “Discourses of Masculinity in Suzanne Collins’ The Hunger Games Trilogy: Defending The Alternative Man, Peeta Mellark”. Trabajo de Fin de Grado. Tutor: Sara Martín Alegre. June 2017. Available in: https://ddd.uab.cat/pub/tfg/2017/180064/Saez_Garrido_ANA_TFG_2016-2017.pdf [09/06/2021].