El concepto de sello autorial en el cine. Los casos de Steven Spielberg y Clint Eastwood
ISSN: 1988-2696
Datum der Publikation: 2012
Nummer: 18
Seiten: 941-949
Art: Artikel
Andere Publikationen in: Estudios sobre el mensaje periodístico
Zusammenfassung
Throughout the history of cinema it has been discussed about the difference between film directors and authors of movies who direct films. Into the first group we would place such important names as Hitchcock, John Ford, John Huston, Martin Scorsese and George Lucas, among others. It is in this group where we also find two directors who have risen from nothing to the category of authors on its own merits. These are Steven Spielberg and Clint Eastwood. New Yorker and Californian have taken a career spanning from a tough start to be currently considered legends of cinema. His films are remembered and revised over the years, finding in them the imprint of their directors. For Clint Eastwood, we have been found his stylemes as well. Spielberg and Eastwood have several joint productions with their two companies, Amblin and Malpaso, and our hypothesis is to look at the modification of the stylemes of both and if there is an influence of any of them in the stylemes of the other
Bibliographische Referenzen
- CALDEVILLA, David (2005): El sello de Spielberg. Madrid. Visión Net.
- CHATMAN, Seymour (1990): Historia y discurso. La estructura narrativa en la novela y en el cine. Madrid, Taurus.
- GONZÁLVEZ, Juan Enrique (2009): “Primavera en Otoño de Clint Eastwood” en Revista de Comunicación Vivat Academia, nº 109. Madrid. Universidad Complutense: http://www.seeci.net/vivataca/numeros/n109/Num109/PDFs/n109-Cine2.pdf
- GONZÁLVEZ, Juan Enrique (2012): El estilema autorial en el cine de Clint Eastwood. Tesis Doctoral. Madrid. Universidad Complutense (en fase de publicación).
- MAURER, Isabel (2011): “Cruzando fronteras: Todo sobre mi madre (1999) de Pedro Almodóvar” en Revista de Comunicación SEECI, nº 24. Madrid. Universidad Complutense: http://www.ucm.es/info/seeci/Numeros/Numero 24/DATOS.html [fecha de consulta: 11 de julio de 2012]
- PEÑA, Beatriz (2009): “La emoción en el cine” en Revista de Comunicación Vivat Academia, nº 102. Madrid. Universidad Complutense: http://www.ucm.es/info/vivataca/anteriores/n102/DATOSS102.htm [fecha de consulta: 28 de julio de 2012]
- SCHICKEL, Richard (2010): Clint Eastwood: una retrospectiva. Barcelona. Blume.
- TORRES-HORTELANO, Lorenzo J. (2011): “De lo vernacular y el World Cinema en Biutiful” en Revista de Comunicación SEECI, nº 24. Madrid. Universidad Complutense: http://www.ucm.es/info/seeci/Numeros/Numero24/DATOS.html [fecha de consulta: 28 de julio de 2012]