Usabilidad y geolocalización narrativa para el seguimiento del patrimonio artístico español

  1. Juan C. Arévalo-Arboleda
  2. Isidro Moreno-Sánchez
  3. Andrés A. Navarro-Newball
  4. Victoria E. Contreras-Roldán
Revista:
Arte, individuo y sociedad

ISSN: 1131-5598

Año de publicación: 2021

Volumen: 33

Número: 4

Páginas: 1117-1135

Tipo: Artículo

DOI: 10.5209/ARIS.70298 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Arte, individuo y sociedad

Objetivos de desarrollo sostenible

Resumen

This digital conservation project allows us to trace Spanish artworks during the Spanish and post-war Civil War. It shows the reality of a crucial period for Spanish heritage, providing tools to analyse the saved works and their destiny, and demonstrating the work of all those who during the war fight on the front of art. A web application was developed that allows cataloguing, tracking, and studying the works that were saved and deposited in safe places by the republic. Interdisciplinary work was carried out considering usability parameters and incorporating a geolocation system. A more accurate version of the journey and the history of the artworks is shown, proposing a new geolocated narrative. The result is an interactive system capable of cataloguing, tracking, and studying the works of art that the Republic drew from museums, palaces and residences to bring them to safety from the fascist attacks of the side that upraised against the government of the democratically instituted Republic in Spain. These works followed an authentic odyssey and most returned to the museums, not always to the same, but there are lost and/or missing works that can be traced thanks to this open, collaborative and geolocated website.

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Información de financiación

Proyecto financiado por el Ministerio de Ciencia, Innovación y Universidades, dentro del Programa Estatal de Fomento de la Investigación Científica y Técnica de Excelencia (Subprograma Estatal de Generación del Conocimiento)

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