Tecnoemociones y discursola performance emocional

  1. Belli, Simone
  2. Harré, Rom
  3. Íñiguez-Rueda, Lupicinio
Revista:
REME

ISSN: 1138-493X

Any de publicació: 2010

Volum: 13

Número: 34

Tipus: Article

Altres publicacions en: REME

Resum

In recent years, the topic of emotions has been influenced by postconstructionist research, particularly using performativity as the pivot concept. According to Judith Butler (1993) the construction of emotions is a process open to constant changes and redefinitions (Butler, 1997). Defined thus it, it has as its ultimate effect the of this natural evolution between emotion and language, the final step being its has an affair last status as an aspect of techno-science. There may be emergence of new emotions, or different ways to draw the emotions existing in techno-science. In our research on the use of New Information and Communication Technology (ICT) for users of internet cafes, we understand how these technologies are essential in the daily life of every individual. The emphasis has been on the analysis of emotions relating to the use of these technologies in these specific areas. Using the concept of performance (Butler, 1990), explores how speech creates a need for particular emotions, which do not exist a priori before their performance. To understand this performance inithe speaches, it is necessary to use a "tool" ad hoc and in our case the Membership Categorization Analysis, according to the school in Manchester. Analysis has revealed emerged in the category of membership of the salience of velocity, performance and primary emotional content constructed through language, by users of new technologies. This 'velocity�, produced by the acts of speaking, seems to follow the natural evolution of techno-science in the Social Sciences, especially understood through by the concept of cyborg in Donna Haraway (1990) and of mutant in Alessandro Baricco (2007).