Las prácticas artísticas de los pintores "hispanoflamencos" en la Corona de Castilla en el siglo XV

  1. Laura Alba Carcelén
  2. Jaime García-Máiquez
  3. María Dolores Gayo García
  4. Maite Jover de Celis
  5. Pilar Silva Maroto
Boletín del Museo del Prado

ISSN: 0210-8143

Year of publication: 2014

Volume: 32

Issue: 50

Pages: 122-147

Type: Article

More publications in: Boletín del Museo del Prado


Cited by

  • Dialnet Métricas Cited by: 5 (26-11-2023)

Índice Dialnet de Revistas

  • Year 2014
  • Journal Impact: 0.080
  • Field: HISTORIA Quartile: C2 Rank in field: 111/303
  • Field: ARTE Quartile: C2 Rank in field: 22/128
  • Field: HISTORIA DEL ARTE Quartile: C2 Rank in field: 11/38


  • Social Sciences: D
  • Human Sciences: C


In the fifteenth century, paintings in the Kingdom of Castile, was profoundly influenced by Flemish art of the time, to the degree that Spanish art historians referred to it as "Hispano-Flemish" painting. Study of the procedures and materials employed by carpenters, gilders and painters has revealed aspects that are characteristic and unique to Castilian painting and which are related above all to the choice of wood, construction of the support and mode of assembly. "Hispano-Flemish" painters started to make use of oil at this time and while still revealing technical problems already overcome by northern European artists, achieved an exceptional level of mastery in the fifteenth century.