Condensación de la historia en imagen onírica en La vía láctea de Luis Buñueldesmitificación cinematográfica del ideario de Juan Larrea

  1. Aguirre Martínez, Guillermo
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Book:
Historia y cine: el primer franquismo 1939-1945
  1. Magi Crussels (coord.)
  2. Beatriz de las Heras (coord.)
  3. Antonio Pantoja (coord.)

Publisher: Universidad de Barcelona

ISBN: 978-84-09-22492-0

Year of publication: 2020

Volume: 2

Pages: 350-363

Type: Book chapter

DIALNET GOOGLE SCHOLAR lock_openOpen access editor

Abstract

The Milky Way (1969), by Luis Buñuel, shows a demystifier image where heterodoxy and orthodoxy turn one beyond the other, and where the only sense is the own image. This last does not reveal the capacity to unify our vision, but it can provides us of an aesthetic gaze. The next pages consist of a comment on The Milky Way through the prism of Juan Larrea’s theories about teleology of history -theories well known by Buñuel-. In this sense, it is necessary to remember that this film did not satisfied Juan Larrea, due to the filmmaker recreated elements related with the Sacred History in a comic way.

Data source: Dialnet