Margaret Walker's Jubileo

Referencias bibliográficas

• BAKER, Mona, Translation and Conflict: A Narrative Account, London, Routledge, 2006.
• BELL, Bernard W., The Afro-American Novel and Its Tradition, Amherst, University of Massachusetts Press, 1987.
• BRAGA RIERA, Jorge, “The Role of Epitexts in Drama Translation”, The Journal of Specialised Translation, 30 (2018), 249–268.
• BRODY, Richard, “How to Think about Classic Hollywood’s ‘Problematic’ Movies”, The New Yorker, March 11, 2021, retrieved from https://www.newyorker.com/culture/the-front-row/how-to-think-about-classic-hollywoods-problematic-movies (Accessed: September 2021).
• CARBY, Hazel V., “Ideologies of Black Folk: The Historical Novel of Slavery”, in Slavery and the Literary Imagination, edited by Deborah E. McDowell and Arnold Rampersad, 125–143, Baltimore, Johns Hopkins UP, 1989.
• CARRERA, Mercedes A. (translator), Jubileo, by Margaret Walker, Barcelona, Plaza y Janés, 1968.
• CONDÉ, Mary, “Some African-American Fictional Reponses to Gone with the Wind”, The Yearbook of English Studies, 26 (1996), 208–217.
• DAVIS, Amanda J., “Shatterings: Violent Disruptions of Homeplace in Jubilee and The Street”, Multi-Ethnic Literature of the United States, 30, 4 (2005), 25–51.
• DEPARDIEU, Benoît, “Her/His-(s)Tory: Confronting the ‘Shackles’ of the African-American Urtext: Walker, Gaines, Reed Re-Write the Slave Narrative”, in Revisiting Slave Narratives I: Les avatars contemporains des récits d’esclaves, edited by Judith Misrahi-Barak, 123–148, Montpellier, Presses Universitaires de la Méditerranée, 2016.
• Dirección General de Información, “Jubileo”, Expediente de censura, Madrid, Ministerio de Información y Turismo, 25 de junio de 1968.
• DONALDSON, Susan V., “Telling Forgotten Stories of Slavery in the Postmodern South”, The Southern Literary Journal, 40, 2 (2008), 267–283.
• DUBEY, Madhu, “Neo-Slave Narratives”, in A Companion to African American Literature, edited by Gene Andrew Jarrett, 332–346, Oxford, Wiley-Blackwell, 2010.
• GENETTE, Gérard, Paratexts: Thresholds of Interpretation, translated by Jane E. Lewin, Cambridge, Cambridge UP, 1997.
• GÓMEZ CASTRO, Cristina, “¿Traduzione tradizione? El polisistema literario español durante la dictadura franquista: La censura”, Revue Des Littératures de l’Union Européenne, 4 (2006): 37–49.
• GOODMAN, Charlotte, “From Uncle Tom’s Cabin to Vyry’s Kitchen: The Black Female Folk Tradition in Margaret Walker’s Jubilee”, in Fields Watered with Blood: Critical Essays on Margaret Walker, edited by Maryemma Graham, 231–241, Athens (GA), University of Georgia Press, 2014.
• GOULD, Philip, “The Rise, Development, and Circulation of the Slave Narrative”, in The Cambridge Companion to the African American Slave Narrative, edited by Audrey A. Fisch, 11–27, Cambridge, Cambridge UP, 2007.
• GUTIÉRREZ LANZA, Camino, Sergio LOBEJÓN SANTOS, and Juan Ramón RODRÍGUEZ DE LERA, “Traducción y censura en los comix de Especial Star Books (1975-1982)”, Estudios de Traducción, 11 (2021), 95–106.
• KLOTMAN, Phyllis Rauch, “‘Oh Freedom’: Women and History in Margaret Walker’s Jubilee”, Black American Literature Forum, 11, 4 (1977), 139–145.
• MANINI, Luca, “Meaningful Literary Names: Their Forms and Functions, and their Translation”, The Translator, 2, 2 (1996), 161–178.
• McWHORTER, John, “The Idea That Whites Can’t Refer to the N-Word”, The Atlantic, August 27, 2019, retrieved from https://www.theatlantic.com/ideas/archive/2019/08/whites-refer-to-the-n-word/596872 (Accessed: September 2021).
• MUFWENE, Salikoko S., “African-American English”, in The Cambridge History of the English Language. English in North America, edited by John Algeo, 6, 291–324, Cambridge, Cambridge UP, 2001.
• RODRIGUEZ, Junius P., ed. Slavery in the United States: A Social, Political, and Historical Encyclopedia, Santa Bárbara (CA), ABC-CLIO, 2007.
• RUSHDY, Ashraf H. A., Neo-Slave Narratives: Studies in the Social Logic of a Literary Form, Oxford, Oxford UP, 1999.
• RUSHDY, Ashraf H. A., “The Neo-Slave Narrative”, in The Cambridge Companion to the African American Novel, edited by Maryemma Graham, 87–105, Cambridge, Cambridge UP, 2004.
• RUSHDY, Ashraf H. A., “The Politics of the Neo-Slave Narratives”, in Revisiting Slave Narratives I: Les avatars contemporains des récits d’esclaves, edited by Judith Misrahi-Barak, 91–102, Montpellier, Presses Universitaires de la Méditerranée, 2016.
• RYAN, Tim A., Calls and Responses: The American Novel of Slavery since Gone with the Wind, Baton Rouge, Louisiana State UP, 2008.
• SÁNCHEZ VIGIL, Juan Miguel, “La cultura en el bolsillo. De los modelos decimonónicos al libro de masas”, in La cultura en el bolsillo: Historia del libro de bolsillo en España, edited by Juan Miguel Sánchez Vigil, 151–207, Gijón, Trea, 2018.
• SCHUESSLER, Jennifer, “The Long Battle Over Gone with the Wind”, The New York Times, June 15, 2020, retrieved from https://www.nytimes.com/2020/06/14/movies/gone-with-the-wind-battle.html (Accessed: September 2021).
• SMITH, Valerie, “Neo-Slave Narratives”, in The Cambridge Companion to the African American Slave Narrative, edited by Audrey A. Fisch, 168–185, Cambridge, Cambridge UP, 2007.
• TOURY, Gideon, “A Rationale for Descriptive Translation Studies”, in The Manipulation of Literature: Studies in Literary Translation, edited by Theo Hermans, 16–41, London, Croom Helm, 1985.
• VEGA, Miguel Ángel, “De la Guerra Civil al pasado inmediato”, in Historia de La Traducción En España, edited by Francisco Lafarga and Luis Pegenaute Rodríguez, 527–578, Salamanca, Ambos Mundos, 2004.
• WALKER, Margaret, Jubilee, New York, Houghton Mifflin, 1999.