Rendiciones en el arte. De los cuadros de historia a ejemplos contemporáneos

  1. Mariano de Blas
Aldizkaria:
Arte, individuo y sociedad

ISSN: 1131-5598

Argitalpen urtea: 2022

Alea: 34

Zenbakia: 2

Orrialdeak: 563-583

Mota: Artikulua

DOI: 10.5209/ARIS.71969 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Arte, individuo y sociedad

Laburpena

This work studies mechanisms that represent a significant historical fact by seduction of a work of art. It explains how the facts that are taken as relevant occurred, so it appears that what is important is what is shown because this has happened, when the real goal is to set up a manipulating sobering message to be received in a subliminal and therefore uncritical way. It chooses the surrenders in wars subject of paintings and photographs. It shows different plot strategies for symbolizing an ideological message. It continues with contemporary works with references of historical paintings but with a representation of a war event to the service of art and not on the contrary, pretending to document (fictitiously)historicalfactswhenwhatitlooksforistounmaskmessagesusedtoshapesymbolicreality. One recalls a past by an absurdity that seems feasible, in another a possible future is disguised as a current reality and in a third it is made explicit a supposed (false) display, showing as true what did not happened, and that seems to have happened.

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Datuen iturria: Dialnet