El género musical en la actualidadreflexiones ante un contexto digital y globalizado

  1. Fellone, Ugo 1
  1. 1 Universidad Complutense de Madrid, Madrid, España
Journal:
El Oído Pensante

ISSN: 2250-7116

Year of publication: 2022

Issue Title: Marzo 2022 - Septiembre 2022

Volume: 10

Issue: 1

Pages: 59-85

Type: Article

DOI: 10.34096/OIDOPENSANTE.V10N1.11338 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: El Oído Pensante

Abstract

This article discusses how musical genres operate in the current context, dominated by the processes of globalization and digitalization of neoliberal capitalism. These have caused music genres to be articulated by two apparently antagonistic forces, which are mutually dependent: generification and individualization. In order to understand how both of them act, their impact on the production, intermediation, infomediation and consumption of music will be analyzed. This text intends to reflect on how all kinds of music (regardless of their origin or status) can be converted into musical genres, following the way in which this concept has been understood from Western popular music.

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