Sófocles, Edipo Rey 1204-1212 ≈ 1213-1222un ritornelo métrico

  1. García Novo, Elsa 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Revista:
Cuadernos de filología clásica. Estudios griegos e indoeuropeos

ISSN: 1131-9070

Año de publicación: 2022

Número: 32

Páginas: 89-94

Tipo: Artículo

DOI: 10.5209/CFCG.80753 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Cuadernos de filología clásica. Estudios griegos e indoeuropeos

Objetivos de desarrollo sostenible

Resumen

The second strophic pair of Oedipus the King’s Fourth Stasimon presents a metrical scheme that functions as a ritornello all through the songs, closing every κῶλον. It has five elements (- ⏑ - ⏑ -) and appears as a part of iambic κῶλα in the first three lines, closes a dochmius plus a iambic metron in the fourth, and stays by itself in the three next lines as a hypodochmius, where the stanzas reach their climax at their centre. In the next lines the scheme gets increased its elements at the beginning, showing a kaibelian dochmius and then iambo-choriambic κῶλα. The poet has assessed in a pentasyllable scheme the horror of the Chorus before Oedipus, a ritornello that reappears in all the κῶλα, and that synthesizes the message in the center of each song: the incest / the rejection.

Referencias bibliográficas

  • Bollack, J. (1990), L’Oedipe roi de Sophocle, Lille, Presses Universitaires de Lille.
  • Carrión López, P. (1982), Series métricas de transición en la Lírica de Sófocles, 2 vols., Tesis doctoral UCM, Madrid.
  • Colonna, A. (1978), Sophocles, Fabulae. II: Oedipus Tyrannus. Antigone. Trachiniae, Turin, Paravia.
  • Conomis, N.C. (1964), «The Dochmiacs of Greek Drama», Hermes 92: 23-50.
  • Dain, A. & Mazon, P. (1958), Sophocle. II. Ajax. Oedipe Roi. Electre, Paris, Les Belles Lettres (4ème éd. revue et corrigée par J. Irigoin, 1972).
  • Dale, A.M. (1969), The Lyric Metres of Greek Drama, Cambridge, University Press (1948), 19692.
  • Dale, A.M. (1981), Metrical analyses of tragic choruses. 2. Aeolo-Choriambic, BICS Suppl. 21.2, London.
  • Dawe, R. D. (1996), Sophoclis Oedipus Rex, Stuttgart, Teubner (1982), 19963.
  • Finglass, P.J. (2018), Sophocles: Oedipus Rex, Cambridge, University Press.
  • García Novo, E. (2014), «A Structural Approach to Greek Lyric Periods», Rosetta 16: 1-14 ( http://www.rosetta.bham.ac.uk/issue16/novo.pdf)
  • García Novo, E. (2021), «La caída de Jerjes y su reflejo métrico en Los Persas de Esquilo», Dramaturgias 17: 66-85 (DOI https://doi.org/10.26512/dramaturgias17)
  • Jouanna, J. (2007), Sophocle, Paris, Fayard, 2007 (= Sophocles. A Study of His Theater in Its Political and Social Context, Princeton, University Press, 2018).
  • Kamerbeek, J.C. (1967), The Plays of Sophocles. Part IV: The Oedipus Tyrannus, Leiden, Brill.
  • Kraus, W. (1957), Strophengestaltung in der griechischen Tragödie. I: Aischylos und Sophokles, Vienna, Rohrer.
  • Lasso de la Vega, J. S. (1971), «Los coros de Edipo Rey: notas de métrica», CFC 2: 9-95 (= Lasso de la Vega, J. [2003], Sófocles, Madrid, Ediciones Clásicas: 189-256).
  • Lloyd-Jones, H. & Wilson, N.G. (1990), Sophoclis fabulae, Oxford, University Press.
  • Lloyd-Jones, H. (1994), Sophocles. I: Ajax. Electra. Oedipus Tyrannus, Cambridge (Mass.), Harvard University Press (https://www-loebclassics-com.bucm.idm.oclc.org/view/sophocles-oedipus_tyrannus/1994/pb_LCL020.327.xml?rskey=N78ONu&result=6)
  • Manuwald, B. (2012), Sophokles. König Ödipus, Berlin-Boston, De Gruyter.
  • Masqueray, P. (1922), Sophocle, I: Ajàx. Antigone. Œdipe-Roi. Electre, Paris, Les Belles Lettres.
  • Pohlsander, H.A. (1964), Metrical Studies in the Lyrics of Sophocles, Leiden, Brill.
  • Sicking, C.M.J. (1993), Griechische Verslehre, München, C.H. Beck.
  • Snell, B. (19824), Griechische Metrik, Göttingen, Vandenhoeck & Ruprecht.
  • Snell, B. (19623), Griechische Metrik, Göttingen, Vandenhoeck & Ruprecht.
  • Storr, F. (1912), Sophocles, I: Oedipus the King, Oedipus at Colonus, Antigone, London, William Heinemann (https://archive.org/details/sophoclesstor02sophuoft).