Dispositivo doctoral para una escritura situadahegemonía y significante vacío en el arte del acontecimiento

Abstract

Denominating this thesis as a doctoral dispositive is due to its object of study and the situation and experiences of the writer itself. Investigating an art of the event having as a model the post-socialist movements of the 21st century or our particular 15M, forces us to transfer all that eventual power to a writing that questions the frames where it is inscribed. For this reason, the writing of this document has been conceived as a process, as the making of a doctoral thesis and the thinking from doing. The "subjective" nature of this process places us in a precarious writing, always incomplete, which appeals more to personal, affective and contingent criteria than to an objective and verifiable truth. Thus, the decision to approach the doctoral thesis as event writing is a political gesture that goes beyond the production frameworks of assessable scientific knowledge...