La mirada autobiográfica a través de la fotografía
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Universidad Complutense de Madrid
info
ISSN: 2174-7563
Datum der Publikation: 2021
Nummer: 20
Seiten: 83-94
Art: Artikel
Andere Publikationen in: ASRI: Arte y sociedad. Revista de investigación
Zusammenfassung
There are numerous photographs that refer to the author himself, to the point that, on many occasions, it is difficult to separate the work and the life of the artist. Due to the mimetic capacity of the technical image and the need for the photographer to be present at the scene, photography has been used as a form of memory, even evidence. We could speak of this form of objective gaze, that of the innocent viewer who accepts this image as true or its opposite, through an active, playful viewer, aware of a possible fallacy. To clarify the shadow of doubt that defines autobiography, the hypothesis is that autobiography requires a consensus, an intimacy between the creator and the viewer whose value will always depend on the latter interpretation.
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