Música, ruido y tratamiento de la vozutilización metafórica del discurso sonoro en La hora del lobo de Ingmar Bergman
- ANTHONY CAFFY
- LAIA FALCÓN
ISSN: 2254-7673
Year of publication: 2020
Issue: 17
Pages: 37-62
Type: Article
More publications in: Arte y Ciudad: Revista de Investigación
Abstract
The Hour of the Wolf (1968) is analyzed as one of the key pieces in Bergman's filmic evolution, regarding the use of sound narrative: in this paper we explain the way music, noise and vocal nuances are used by the director as the main tools to structure and graduate the metaphorical enunciation of the story.