Near-Death Experience in Video Games or How Looking Death in the Eyes Can Be a Sales ConceptThe Case of Blasphemous from an Anthropological, Metaphysical, and Promotional Standpoint

  1. Ros Velasco, Josefa
  2. San Nicolás Romera, César
  3. Nicolás Ojeda, Miguel Ángel 1
  1. 1 Universidad de Murcia
    info

    Universidad de Murcia

    Murcia, España

    ROR https://ror.org/03p3aeb86

Revista:
Escritura e imagen

ISSN: 1885-5687

Ano de publicación: 2022

Número: 18

Páxinas: 45-65

Tipo: Artigo

DOI: 10.5209/ESIM.84833 DIALNET GOOGLE SCHOLAR lock_openAcceso aberto editor

Outras publicacións en: Escritura e imagen

Resumo

Death is common in video games and one of the key elements to achieve bestseller status. From an anthropological perspective, near-death experience in video games enables the player to encounter familiarity with this uncharted phenomenon through interaction–which is necessary to understand and include it naturally in life from a metaphysical point of view–given the recreationalcommunicative nature of video games and their capacity for creating culture and horizons of meaning– not just the video game as a device, but also the full transmedia promotional narrative in which players participate first-hand. In this article, we analyze the anthropological and metaphysical components of the representation of death in video games following the German philosopher Hans Blumenberg’s theory of the absolutism of reality, as well as the case of Blasphemous and its promotional storytelling to determine how death appears as a sales concept in the publicity due to its place in the players’ common symbolic consciousness.

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Fonte de datos: Dialnet