Contemporary Adaptations of King Learpower and Dramatic Space in William Shakespeare, Edward Bond and Elaine Feinstein

  1. Abril Hernández, Ana
Revista:
The Grove: Working papers on English studies

ISSN: 1137-005X

Año de publicación: 2021

Título del ejemplar: The Grove. Working Papers on English Studies

Número: 28

Páginas: 9-26

Tipo: Artículo

DOI: 10.17561/GROVE.28.6129 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: The Grove: Working papers on English studies

Resumen

En la obra El rey Lear (1605), William Shakespeare explora la psique humana a través de la historia de un anciano rey que cede su tierra a sus dos hijas mayores y se ve obligado a vagar por el espacio de los marginados. En la versión moderna de esta obra titulada: Lear, Edward Bond retoma el análisis de Shakespeare del espacio y el poder en la figura de un padre monomaníaco que levanta un muro contra sus enemigos. La división de los espacios internos y externos presentes en Bond se explora más a fondo en el trabajo de Elaine Feinstein y del Women Theatre Group: Lear’s Daughters, que sumerge al público en los primeros años de Goneril, Regan y Cordelia. En esta precuela contemporánea de la obra de Shakespeare, las tres princesas descubren el mundo y el espacio que ocupan en él desde su reclusión en el castillo.

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