Book Review: Enacting Musical Time: The Bodily Experience of New Music

  1. Besada, José L.
Revista:
Frontiers in Psychology

ISSN: 1664-1078

Año de publicación: 2021

Volumen: 12

Tipo: Artículo

DOI: 10.3389/FPSYG.2021.727768 GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Frontiers in Psychology

Objetivos de desarrollo sostenible

Referencias bibliográficas

  • Besada, (2021), Front. Psychol, 11, pp. 611316, 10.3389/fpsyg.2020.611316
  • Besada, (2020), Organ. Sound, 25, pp. 142, 10.1017/S1355771820000059
  • London, (2004), Hearing in Time: Psychological Aspects of Musical Meter, 10.1093/acprof:oso/9780195160819.001.0001
  • Ohriner, (2019), Flow: The Rhythmic Voice in Rap Music., 10.1093/oso/9780190670412.001.0001
  • Toussaint, (2013), The Geometry of Musical Rhythm: What Makes a “Good” Rhythm Good?
  • Yust, (2018), Organized Time: Rhythm, Tonality, and Form., 10.1093/oso/9780190696481.001.0001
  • Zbikowski, (2002), Conceptualizing Music: Cognitive Structure, Theory, and Analysis, 10.1093/acprof:oso/9780195140231.001.0001
  • Zbikowski, (2017), Foundations of Musical Grammar, 10.1093/oso/9780190653637.001.0001