Museos creativosinnovación museística del siglo XXI

  1. Mónica Viñarás Abad 1
  2. Raquel Caerols Mateo 2
  1. 1 Universidad CEU San Pablo
    info

    Universidad CEU San Pablo

    Madrid, España

    ROR https://ror.org/00tvate34

  2. 2 Universidad Nebrija
    info

    Universidad Nebrija

    Madrid, España

    ROR https://ror.org/03tzyrt94

Livre:
II Congreso Internacional Ciudades Creativas: actas
  1. Francisco García García (coord.)
  2. Rogerio García Fernández (coord.)

Éditorial: Icono 14 Asociación Científica

ISBN: 9788493907761

Année de publication: 2011

Titre du volume: TOMO I

Tomo: 1

Volumen: 1

Pages: 106-119

Congreso: Congreso Internacional Ciudades Creativas (2. 2011. Madrid)

Type: Communication dans un congrès

Résumé

Paris ... Louvre, London ... National Gallery, Amsterdam ... Van Gogh, New York ... MOMA, Madrid ...Prado. There is a great city is not known for its museums. They are part of his personality, its cultural andtourist attraction. Museums are actively living in thecity, away from those museums opening their doorswaiting for motivated visitors. Today the museum outof their living rooms with citizens, to be part of theirleisure, their entertainment and enjoyment, in addition to their learning and training. The public has newneeds, and museums respond. Is the new museology.Moreover, the range of museums has grown exponentially, the old museum collections are now joined private foundations and the result of social work prolific.While it is a benefit for the citizen and therefore tosociety, requires institutions to respond to this situation and adapt to the offer.This research provides examples of how museums aretailored to the demands of society through innovativeand creative actions, thus contributing to the citieswhere you will find a distinctive character.