Don Delillo’s adapted novelsthe treatment of language, space, and time on screen

  1. Laura Alvarez Trigo 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Revista:
Miscelánea: A journal of english and american studies

ISSN: 1137-6368

Año de publicación: 2022

Número: 66

Páginas: 151-169

Tipo: Artículo

DOI: 10.26754/OJS_MISC/MJ.20227359 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Miscelánea: A journal of english and american studies

Resumen

Don DeLillo is an author who pays special attention to language, time, and space when constructing characters’ identity as well as their milieu. Considering this aspect of his fiction, the present article looks at how cinematic adaptations of his novels translate time, space, and the use of language onto the screen. Two of DeLillo’s novels have been adapted so far: Cosmopolis (DeLillo 2003) by David Cronenberg in a 2012 movie of the same name, and The Body Artist (DeLillo 2001) by Benoît Jacquot under the title À Jamais (2016). In light of the importance that the aforementioned elements play in the author’s works, this article delves into how they are represented in the two adaptations and analyzes the role that they play in the movies compared to the novels.

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Fuente de los datos: Dialnet