Vasari, sus Dimore (Arezzo y Florencia) y lo Stanzino del PríncipeTeatro-Memoria-Sapiencia

  1. Suárez Quevedo, Diego
Journal:
Abaton: Revista de figuración, representación e imágenes de la arquitectura

ISSN: 2990-367X 2530-4887

Year of publication: 2023

Issue: 1

Pages: 55-63

Type: Article

DOI: 10.5209/ABAT.57007 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Abaton: Revista de figuración, representación e imágenes de la arquitectura

Abstract

The aim of this article is to focus on and approach the multifaceted figure of Giorgio Vasari from the perspective of the memory-theatre-sapience trinomial, as a means of study that can clarify and provide important clarifications and concatenated and interwoven data regarding his varied activity, from painter, writer and architect to his status as a court artist and consummate craftsman of perspective.