Lo urbano como espectáculo audiovisual y lo urbano en las vanguardias cinematográficasla atracción de la destrucción

  1. Víctor Lope Salvador 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Buch:
Actas del I Congreso Internacional Ciudades Creativas: Contenidos y Servicios en abierto para los ciudadanos
  1. Francisco García García (ed. lit.)

Verlag: Icono 14 Asociación Científica

Datum der Publikation: 2009

Seiten: 537-542

Kongress: Congreso Internacional Ciudades Creativas (1. 2009. Madrid)

Art: Konferenz-Beitrag

Zusammenfassung

The primitive cinematographic spectacle found inthe violence and, in a special way in the fires, oneof the most effective procedures to catch the lookof the spectator. Before this incandescentemergency of the real in relation to the urban wecan distinguish two big routes: 1) the one thatwould integrate the destructive event inside ahistory and 2) the one that would integrate thistype of experiences inside the avant-garde poeticarts. Certain features of the poetic arts of the tearof the avant-gardes of the twenties of last century become present in the audio-visual contemporaryspeech emphasizing the spectacular character of thedestruction.