Confluencias erótico-religiosas en "Wise Blood"

  1. Correoso Rodenas, José Manuel 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Revista:
Epos: Revista de filología

ISSN: 0213-201X

Any de publicació: 2023

Número: 39

Pàgines: 81-95

Tipus: Article

Altres publicacions en: Epos: Revista de filología

Resum

In 1947, US writer Flannery O’Connor wrote the last entry of her journal asserting that she would be abandoned to erotic thoughts. In 1952 she would publish her first novel, Wise Blood, a portrait of post-World War II American religiosity. Her condition of being a devout Roman Catholic in the Deep South (with a Protestant social majority) made her a great connoisseur of the different versions of the Christian faith. This novel, through the traumatic experience(s) of the starring character Hazel Motes, offers a never-ending projection of Christian ideas and dogmas. Besides this, Motes’s relationship with Sabbath Lily Hawks also allows the reader the opportunity of transgressing, via sexuality, some of the most sacred Christian mysteries, such as Nativity, the Afterlife, or Redemption.

Referències bibliogràfiques

  • ALEXANDER, Ben (2007): «The Lowell Affair», The New England Quarterly, 80.4, pp. 545-587.
  • BALSEBRE, Armand y Rosario FONTOVA (2018): Las cartas de Elena Francis. Una educación sentimental bajo el franquismo, Madrid, Cátedra.
  • BOSCO, Mark y Beatriz VALVERDE, eds. (2020): Reading Flannery O’Connor in Spain. From Andalusia to Andalucía, Jaén, Servicio de Publicaciones de la Universidad de Jaén.
  • BRINKMEYER, Robert H. (1995): «“Jesus, Stab Me in the Heart”: Wise Blood, Wounding, and Sacramental Aesthetics», New Essays on Wise Blood, ed. Michael Kreyling, Cambridge, Cambridge University Press, pp. 71-89.
  • BRONCANO, Manuel (1990): «Introducción», Sangre Sabia, de Flannery O’Connor, Madrid, Cátedra, pp. 9-56.
  • BRUNER, Michael (2020): «The Other as Angels: O’Connor’s Case for Radical Hospitality», Reading Flannery O’Connor in Spain. From Andalusia to Andalucía, eds. Mark Bosco y Beatriz Valverde, Jaén, Servicio de Publicaciones de la Universidad de Jaén, pp. 153-169.
  • CARUSO, Teresa Clark (2011): «Whores and Heathens: Misogynistic Representations in Wise Blood», ‘Wise Blood’. A Re-Consideration, ed. John H. Han, Ámsterdam, Rodopi, pp. 355-370.
  • COLES, Robert (1993): Flannery O’Connor’s South, Athens, GA, The University of Georgia Press.
  • CORREOSO RODENAS, José Manuel (2022): «Flannery O’Connor y la reescritura (posmoderna y suburbana) de la femme-fatale: Leora Watts y Sabbath Lily Hawks», Odisea. Revista de Estudios Ingleses, 23, pp. 34-47.
  • --- (2021ª): Flannery O’Connor y la literatura gótica, Cuenca, Ediciones de la Universidad de Castilla-La Mancha.
  • GENTRY, Marshall Bruce (1986): Flannery O’Connor’s Religion of the Grotesque, Jackson, MS, University Press of Mississippi.
  • GERKE, Amanda Ellen, Santiago RODRÍGUEZ GUERRERO-STRACHAN y Patricia SAN JOSÉ RICO, eds. (2020): The Poetics and Politics of Hospitality in US Literature and Culture, Leiden, Brill.
  • GOOCH, Brad (2009): Flannery. A Life of Flannery O’Connor, Nueva York, NY, Back Bay Books.
  • GORDON, Mary (2004): «Flannery’s Kiss», Michigan Quarterly Review, XLIII.3, https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0043.301;view=text;rgn=main;xc=1;g=mqrg, acceso 30-12-2022.
  • HAN, John H., ed. (2011): ‘Wise Blood’. A Re-Consideration, Ámsterdam, Rodopi.
  • HAYS, Peter L. (1968): «Dante, Tobit, and “The Artificial Nigger”», Studies in Short Fiction, 5.3, pp. 263-268.
  • KREYLING, Michael, ed. (1995): New Essays on ‘Wise Blood’, Cambridge, Cambridge University Press.
  • LUDWIN, Deanna (1988): «O’Connor’s Inferno: Return to the Dark Wood», The Flannery O’Connor Bulletin, 17, pp. 11-39.
  • MULLER, Gilbert H. (1972): Nightmares and Visions. Flannery O’Connor and the Catholic Grotesque, Athens, GA, University of Georgia Press.
  • O’CONNOR, Flannery (2013): A Prayer Journal, Nueva York, NY, Farrar, Straus and Giroux.
  • --- (2007): Wise Blood, Nueva York, NY, Farrar, Straus and Giroux.
  • --- (1990): Sangre Sabia, Madrid, Cátedra.
  • --- (1988): The Habit of Being, Nueva York, NY, Farrar, Straus and Giroux.
  • --- (1971): The Complete Stories, Nueva York, NY, Farrar, Straus and Giroux.
  • RODRÍGUEZ GUERRERO-STRACHAN, Santiago, Amanda Ellen GERKE y Patricia SAN JOSÉ RICO (2020): «Introduction», The Poetics and Politics of Hospitality in US Literature and Culture, eds. Amanda Ellen Gerke, Santiago Rodríguez Guerrero-Strachan y Patricia San José Rico, Leiden, Brill, pp. 1-19.
  • SAN JOSÉ RICO, Patricia (2020): «“It’s a long way to Tipperary”. The Relation between Race and Hospitality in the Irish-American Experience and its Literary Representation», The Poetics and Politics of Hospitality in US Literature and Culture, eds. Amanda Ellen Gerke, Santiago Rodríguez Guerrero-Strachan y Patricia San José Rico, Leiden, Brill, pp. 154-175.
  • WOOD, Ralph C. (2004): Flannery O’Connor and the Christ-Haunted South, Grand Rapids, MI, William B. Eerdmans Publishing Company.
  • YAEGER, Patricia Smith (1995): «The Woman without Any Bones: Anti-Angel Aggression in Wise Blood», New Essays on ‘Wise Blood’, ed. Michael Kreyling, Cambridge, Cambridge University Press, pp. 91-115.
  • YUAN, Yuan (1996): «The Lacanian Subject and Grotesque Desires: Between Oedipal Violation and Narcissistic Closure», The American Journal of Psychoanalysis, 56.1, pp. 35-47.