Revisiting The Confessions of Nat Turner: Censorship in its Spanish Translation

  1. MIGUEL SANZ JIMÉNEZ 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Aldizkaria:
ES Review. Spanish Journal of English Studies

ISSN: 2531-1654 2531-1646

Argitalpen urtea: 2023

Zenbakia: 44

Orrialdeak: 57-79

Mota: Artikulua

DOI: 10.24197/ERSJES.44.2023.57-79 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Beste argitalpen batzuk: ES Review. Spanish Journal of English Studies

Laburpena

This paper studies the Spanish translation of William Styron’s The Confessions of Nat Turner. It observes the effects that institutional and self-censorship have had in Andrés Bosch’s version, first published in 1968 by Lumen as Las Confesiones de Nat Turner.Presented as the fictional autobiography of a historical figure, the novel is based on afailed revolt that took place in a Virginia plantation in 1831. The source context is described and contrasted with the target one, paying attention to the paratexts that have conditioned the novel’s reception in Spain. Accessing the General Archive of the Administration shows that Bosch’s translation was self-censored in apossibleattempt to avoid the institutional intervention that would have delayed the book’s publication. Research also shows that this same version is the one being republished in the early twenty-first century.

Erreferentzia bibliografikoak

  • Allan, Keith, and Kate Burridge. Forbidden Words: Taboo and the Censoring of Language. Cambridge UP, 2006.
  • Bell, Bernard W. The Afro-American Novel and Its Tradition. Massachusetts UP, 1987.
  • Benítez, Jorge. “El Espartaco Negro, el Líder que Rebeló a los Esclavos de EE.UU.” El Mundo, 31 Jan. 2017, www.elmundo.es/papel/cultura/2017/01/31/5890b23e22601d6b1e8b4638.html/.
  • “Boletín Oficial Del Estado: sábado 19 de marzo de 1966, Núm. 67.” BOE-S-1966-67, 19 Mar. 1966, www.boe.es/boe/dias/1966/03/19/.
  • Bosch, Andrés, translator. Las Confesiones de Nat Turner. By William Styron, Lumen, 1968.
  • Bosch, Andrés, translator. Las Confesiones de Nat Turner. By William Styron, Capitán Swing, 2016.
  • Braga Riera, Jorge. “The Role of Epitexts in Drama Translation.” JoSTrans. The Journal of Specialised Translation, vol. 30, 2018, pp. 249–68.
  • Calvo, Javier. El Fantasma en el Libro. Seix Barral, 2016.
  • Departamento de Información Nacional. Las Confesiones de Nat Turner. Expediente de censura, 894–69, Ministerio de Información y Turismo, 25 Feb. 1969.
  • Departamento de Información Nacional. Raíces. Expediente de censura, 9660–78, Ministerio de Información y Turismo, 16 Sept. 1978.
  • Dubey, Madhu. “Neo-Slave Narratives.” A Companion to African American Literature, edited by Gene Andrew Jarrett, Wiley-Blackwell, 2010, pp. 332–46, doi:10.1002/9781444323474.ch22.
  • Genette, Gérard. Paratexts: Thresholds of Interpretation. Translated by Jane E. Lewin, Cambridge UP, 1997.
  • Gómez Castro, Cristina. “¿Traduzione Tradizione? El Polisistema Literario Español durante la Dictadura Franquista: La Censura.” RiLUnE: Revue Des Littératures de l’Union Européenne, vol. 4, 2006, pp. 37–49.
  • Gutiérrez Lanza, Camino, et al. “Traducción y Censura en los Comix de Especial Star Books (1975–1982).” Estudios de Traducción, vol. 11, 2021, pp. 95–106, doi:10.5209/estr.72738.
  • Inscoe, John C. “Slave Rebellion in the First Person: The Literary ‘Confessions’ of Nat Turner and Dessa Rose.” The Virginia Magazine of History and Biography, vol. 97, no. 4, 1989, pp. 419–36, www.jstor.org/stable/i393118/.
  • Landry, Ava. “Black Is Black Is Black?: African Immigrant Acculturation in Chimamanda Ngozi Adichie’s Americanah and Yaa Gyasi’s Homegoing.” MELUS: Multi-Ethnic Literature of the United States, vol. 43, no. 4, 2018, pp. 127–47, doi:10.1093/melus/mly044.
  • Lefevere, André. Translation, Rewriting, and the Manipulation of Literary Fame. Routledge, 1992.
  • “Ley de 22 de abril de 1938, de Prensa (rectificada). Habiéndose padecido error en la publicación de la Ley de este Ministerio, fecha de ayer, 23 de abril.” BOE-A-1938-4796, 24 Apr. 1938, www.boe.es/buscar/doc.php?id=BOE-A-1938-4796/.
  • Lobejón Santos, Sergio, et al. “Archival Research in Translation and Censorship: Digging into the ‘True Museum of Francoism.’” Meta, vol. 66, no. 1, 2021, pp. 92–114, doi:10.7202/1079322ar.
  • Manuel, Carme. “Las Confesiones de Nat Turner y la Penitencia de William Styron.” Nexus, no. 1, 2007, pp. 79–96.
  • McLaughlin, Martin, and Javier Muñoz-Basols. “Ideology, Censorship and Translation across Genres: Past and Present.” Ideology, Censorship and Translation, Routledge, 2021, pp. 1–6, doi:10.1080/0907676X.2016.1095579.
  • Rodríguez Espinosa, Marcos. “El Discurso Ideológico de la Censura Franquista y la Traducción de Textos Literarios: Las Aventuras de Barry Lyndon y la Editorial Destino.” Ética y Política de la Traducción Literaria, edited by Grupo de Investigación Traducción, literatura y sociedad (Universidad de Málaga), Miguel Gómez Ediciones, 2004, pp. 219–38.
  • Rushdy, Ashraf H. A. Neo-Slave Narratives: Studies in the Social Logic of a Literary Form. Oxford UP, 1999.
  • Sánchez Padilla, Asunción. Traducción y Censura: El Impacto del Franquismo en Un Mundo Feliz, de Aldous Huxley. 2022. Universidad Complutense de Madrid, master’s dissertation.
  • Santaemilia, José. “The Translation of Sex-Related Language: The Danger(s) of Self-Censorship(s).” TTR: Traduction, Terminologie, Rédaction, vol. 21, no. 2, 2008, pp. 221–52, doi:10.7202/037497ar.
  • Sanz Jiménez, Miguel. “Margaret Walker’s Jubileo: The First Neo-Slave Narrative Translated into Spanish.” 1611: Revista de Historia de la Traducción, vol. 15, 2021, www.traduccionliteraria.org/ 1611/art/sanz.htm/.
  • Stordeur Pryor, Elizabeth. “Nigger and Home: An Etymology.” Colored Travelers: Mobility and the Fight for Citizenship before the Civil War, North Carolina UP, 2016, pp. 10–43, doi:10.5149/northcarolina/ 9781469628578.003.0002.
  • Styron, William. The Confessions of Nat Turner. Vintage, 2004.
  • Toury, Gideon. Descriptive Translation Studies—and beyond, revised ed., John Benjamins, 2012, doi:10.1075/btl.4.
  • Turner, Darwin T. “Review of The Confessions of Nat Turner, by William Styron.” The Journal of Negro History, vol. 53, no. 2, 1968, pp. 183–86.