Estrategias de ecodiseño aplicadas al proyecto de exposiciones temporales e itinerantes

  1. Marcelo Leslabay Martínez 1
  2. Ricardo Espinosa Ruiz 2
  1. 1 Universidad de Deusto
    info

    Universidad de Deusto

    Bilbao, España

    ROR https://ror.org/00ne6sr39

  2. 2 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Journal:
ArDIn: Arte Diseño Ingeniería

ISSN: 2254-8319

Year of publication: 2024

Issue: 13

Pages: 186-209

Type: Article

DOI: 10.20868/ARDIN.2024.13.5218 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: ArDIn: Arte Diseño Ingeniería

Sustainable development goals

Abstract

The findings emerging from the sixth report of the Intergovernmental Panel on Climate Change (IPCC) continue to support the importance of mitigating human-induced damage to the environment. Although these are still in draft form, it is anticipated that more than 100 key risks will be identified that are potentially damaging to a wide range of areas and systems. Therefore, the need to take measures in each of the professional areas linked to the design disciplines to reduce the footprint they leave on the environment is becoming more than a trend, it is an imperative need. In this article we intend to show the eco-design strategies that we can take into account in the different phases of the life cycle of an exhibition, from the first conceptualization of the sample, through the selection of materials and manufacturing systems, also taking into account the environmental impacts generated during its use phase, and being aware of what kind of waste it will generate at the end of its useful life, without neglecting all the displacements of materials, objects and people that occur in each of these phases. It is therefore proposed as a tool for professionals working in the field of exhibitions, with special emphasis on travelling and/or temporary exhibitions

Bibliographic References

  • Abeyasekera K. y Matthews G. (2007). Sustainable exhibit design : guidelines for designers of small scale interactive and travelling exhibitions. University of Lincoln.
  • Buxton (2021) Peak waste: horror and hope. The RIBA journal. https://www.ribaj.com/culture/peak-waste-what-can-design-do-review-design-museum.
  • Denison, E. (2009). Print and production finishes for sustainable design. Mies, Switzerland: RotoVision.
  • Hugues, P. (2010). Diseño de exposiciones. Promopress.
  • Leslabay, M. (2019). El comisariado de la exposición España Diseña. 25 Ediciones de los Premios Nacionales de Diseño (1987-2017). I+Diseño. Revista científico-académica internacional de Innovación, Investigación y Desarrollo en Diseño. Volumen 14. 1-25. https://doi.org/10.24310/Idiseno.2019.v14i0.7067
  • Lleonart García, M. (2021). La sostenibilidad en el diseño museográfico. EME Experimental Illustration, Art & Design, Nº. 9, págs. 50-61.
  • Muñoz-López, N., Biedermann, A., Santolaya-Sáenz, J. L., Valero-Martín, J. I., & Serrano-Tierz, A. (2021). Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives. Applied Sciences. https://doi.org/10.3390/app11219863
  • Rieradevall i Pons J. & Vinyets J. (1999). Ecodiseño y ecoproductos. Rubes Salur, N. (2022). Crear conciencia para proteger el medio ambiente en diseños futuros: Proyecto de reutilización. ArDIn. Arte, Diseño e Ingeniería, Volumen 11, 57-76. https://doi.org/10.20868/ardin.2022.11.4802
  • Sanz Adán F. (2003). Ecodiseño: un nuevo concepto en el desarrollo de productos. Universidad de La Rioja.
  • Society of Environmental Toxicology and Chemistry (1991). A technical framework for life-cycle assessments. Society of Environmental Toxicological and Chemistry.
Data source: Dialnet