¿Víctima, seductora o verdugo? El reciclaje ambiguamente feminista de Caperucita Rojade Charles Perrault a la cultura pop contemporánea

  1. Carrasco Yelmo, Silviano 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Revue:
Impossibilia

ISSN: 2174-2464

Année de publication: 2024

Titre de la publication: Reescrituras y reciclajes feministas en la literatura y las artes contemporáneas / Feminist Rewritings and Recyclings in Contemporary Literature and Arts

Número: 27

Pages: 64-85

Type: Article

DOI: 10.30827/IMPOSSIBILIA.272024.29866 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

D'autres publications dans: Impossibilia

Résumé

Little Red Riding Hood is arguably one of the most famous fairy tales in the world. The tale has traditionally been interpreted as a Freudian learning experience (Bettelheim, 1976), and this popular character as well as its narrative simplicity allowed the renowned scholar Umberto Eco to use it as a parable on the limits of interpretation (Eco, 1994). This article will examine the recycling process that the tale has undergone from Charles Perrault to the present day, spanning various mediums such as comics, movies, anime, or songs from the late 20th to early 21st centuries. The strategies employed to retell and recycle the tale, especially in pop culture (whether from a structural standpoint or under a new conceptual framework), will be studied, along with their implications from the perspective of feminist empowerment.

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La source de données: Dialnet