Publicaciones en colaboración con investigadores/as de University of Southampton (15)

2021

  1. Faces in the Stone: Further Finds of Anthropomorphic Engravings Suggest a Discrete Artistic Tradition Flourished in Timor-Leste in the Terminal Pleistocene

    Cambridge Archaeological Journal, Vol. 31, Núm. 1, pp. 129-142

2020

  1. Hand stencil discoveries at Lene Hara Cave hint at Pleistocene age for the earliest painted art in Timor-Leste

    Archaeological Research in Asia, Vol. 22

  2. Lene Kici cave art: Possible symbolic evidence associated with palaeolithic human occupation in Timor-Leste

    Asian Perspectives, Vol. 60, Núm. 1, pp. 197-212

  3. Radiocarbon and U-series age constraints for the Lateglacial rock art of Sicily

    Quaternary Science Reviews, Vol. 245

  4. Response to White et al.’s reply: ‘Still no archaeological evidence that Neanderthals created Iberian cave art’ [J. Hum. Evol. (2020) 102640]

    Journal of Human Evolution

2018

  1. Dates for Neanderthal art and symbolic behaviour are reliable

    Nature Ecology and Evolution

  2. Response to comment on “U-Th dating of carbonate crusts reveals neandertal origin of iberian cave art”

    Science, Vol. 362, Núm. 6411

  3. U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art

    Science, Vol. 359, Núm. 6378, pp. 912-915

2017

  1. Dating Palaeolithic cave art: Why U–Th is the way to go

    Quaternary International, Vol. 432, pp. 41-49

  2. U-series dating of Palaeolithic rock art at Fuente del Trucho (Aragón, Spain)

    Quaternary International, Vol. 432, pp. 50-58

2016

  1. Methods for U-series dating of CaCO3 crusts associated with Palaeolithic cave art and application to Iberian sites

    Quaternary Geochronology, Vol. 36, pp. 104-119

  2. Not so deserted...paleoecology and human subsistence in Central Iberia (Guadalajara, Spain) around the Last Glacial Maximum

    Quaternary Science Reviews, Vol. 140, pp. 21-38

2015

  1. Are hand stencils in european cave art older than we think? an evaluation of the existing data and their potential implications

    Prehistoric Art as Prehistoric Culture: Studies in Honour of Professor Rodrigo de Balbín-Behrmann (Archaeopress), pp. 31-43

  2. The chronology of hand stencils in European Palaeolithic rock art: Implications of new u-series results from el Castillo cave (Cantabria, Spain)

    Journal of Anthropological Sciences, Vol. 93, pp. 135-152

2013

  1. Uranium series dating reveals a long sequence of rock art at Altamira Cave (Santillana del Mar, Cantabria)

    Journal of Archaeological Science, Vol. 40, Núm. 11, pp. 4098-4106