Publicaciones en colaboración con investigadores/as de Instituto de Historia (19)

2023

  1. Human occupations of upland and cold environments in inland Spain during the Last Glacial Maximum and Heinrich Stadial 1: The new Magdalenian sequence of Charco Verde II

    PLoS ONE, Vol. 18, Núm. 10 October

  2. Isotopic Evidence for Mobility in the Copper and Bronze Age Cemetery of Humanejos (Parla, Madrid): a Diachronic Approach Using Biological and Archaeological Variables

    Journal of Archaeological Method and Theory

2022

  1. Rare Alkali Elements as Markers of Local Glass Working in Medieval Tolmo de Minateda (Spain)

    ChemPlusChem, Vol. 87, Núm. 9

2021

  1. Characterization of Glass, Shell, and Fishbone Beads on Ibo Island (Northern Mozambique) in the Context of the Indian Ocean Trade

    African Archaeological Review, Vol. 38, Núm. 2, pp. 297-318

  2. First modern human settlement recorded in the Iberian hinterland occurred during Heinrich Stadial 2 within harsh environmental conditions

    Scientific Reports, Vol. 11, Núm. 1

  3. Historical fires induced deforestation in relict scots pine forests during the late 19th century

    Fire, Vol. 4, Núm. 2

2019

  1. A protocol for mapping archaeological sites through aerial 4k videos

    Digital Applications in Archaeology and Cultural Heritage, Vol. 13

  2. Abrupt regime shifts in post-fire resilience of Mediterranean mountain pinewoods are fuelled by land use

    International Journal of Wildland Fire, Vol. 28, Núm. 5, pp. 329-341

  3. Counting with the invisible record? The role of LiDAR in the interpretation of megalithic landscapes in south-western Iberia (Extremadura, Alentejo and Beira Baixa)

    Archaeological Prospection, Vol. 26, Núm. 3, pp. 251-264

  4. Selective use of limestone in Iberian Iron Age sculptures and monuments: a case study from Jutia (Albacete, Spain)

    Archaeological and Anthropological Sciences, Vol. 11, Núm. 3, pp. 853-870

  5. Victorina Durán: identidades en escena. Exilio, hispanidad y madrileñismo en Argentina

    Identidades y tránsitos artísticos en el exilio español de 1939: hacia Latinoamérica (Doce Calles), pp. 325-349

  6. “3DMeshTracings”: A protocol for the digital recording of prehistoric art. Its application at Almendres cromlech (Évora, Portugal)

    Journal of Archaeological Science: Reports, Vol. 25, pp. 171-183

2018

  1. Past growth suppressions as proxies of fire incidence in relict Mediterranean black pine forests

    Forest Ecology and Management, Vol. 413, pp. 9-20

2017

  1. CROSSING THE OCEAN SPAIN SEEN BY THE EXILED ARTISTS OF 1939 IN LATIN AMERICA

    IMAGINARIOS EN CONFLICTO: LO ESPANOL EN LOS SIGLOS XIX Y XX

2016

  1. Roman bedrock mortars: New findings for interpreting data at the roman pino del oro gold mines (Spain)

    Mediterranean Archaeology and Archaeometry, Vol. 16, Núm. 2, pp. 139-148

2015

  1. THE VALUE OF AUTHORITY. THE SPACE OF THE SPANISH EXILED ARTISTS IN THE HISTORY OF ART

    ARTE Y LA RECUPERACION DEL PASADO RECIENTE

2009

  1. RICARDO DE ORUETA AND THE GENERAL DIRECTION OF FINE ARTS DURING THE II REPUBLIC AND THE CIVIL WAR

    ARTE EN TIEMPOS DE GUERRA

  2. THE PAINTER RODRIGUEZ LUNA AND HTE CREATION OF A IMAGE OF THE SPANISH REPUBLICAN EXILE

    VERDADES CANSADAS?: IMAGENES Y ESTEREOTIPOS ACERCA DEL MUNDO HISPANICO EN EUROPA

2008

  1. JOSEP RENAU, DIRECTOR GENERAL OF FINE ARTS

    ARTE, PODER Y SOCIEDAD EN LA ESPANA DE LOS SIGLOS XV A XX