El lenguaje social de la ficción televisiva y sus antihéroesla quinta pared en "House of Cards"

Résumé

The present doctoral research entitled has as main object the analysis, original and unpublished, of the American television series House of Cards. The primary intention is to show how the main character, Frank Underwood, innovates a new language of television fiction with his audience. We speak of social language because it transcends the traditional and unidirectional language of mass television, to acquire entity and virtual personality through Twitter, which the viewer can recognize almost as real. At the same time, it is amazing that he gets it by being an evil, ignominious and ambitious character: an anti-hero. In his ethical, moral and political dilemmas, Underwood makes the audience an accomplice. He succeeds in breaking the fourth wall of the small screen, speaking directly to the viewer and sharing his plans to reach power in politics and crossing the line between fiction and reality, with a Twitter account, @HouseofCards, where he Tuits as if it existed in the real World, also breaking a new fifth wall, original concept of the investigation...