Low molecular weight varnishesinterview to E. René de la Rie, National Gallery of Art, Washington, DC

Referencias bibliográficas

• DE LA RIE, E. R. (1988)."Polymer Stabilizers. A Survey with Reference to Possible Applications in the Conservation Field". Studies in Conservation 33: 9–22.
• DE LA RIE, E. R., and McGlinchey, Ch. (1989). "Stabilized Dammar Picture Varnish." Studies in Conservation 34: 137–146.
• DE LA RIE, E. R. (1989). "Old Master Paintings: A Study of the Varnish Problem." Analytical Chemistry 61: 1228A– 1240A.
• DE LA RIE, E. R., and MCGLINCHEY, CH. (1990). "New Synthetic Resins for Picture Varnishes." In Cleaning Retouching and Coatings, IIC 1990 Brussels Congress, edited by John S. Mills and Perry Smith, London: International Institute for Conservation of Historic and Artistic Works (IIC), 168–173
• DE LA RIE, E. RENÉ, AND MCGLINCHEY, CH. (1990). "The Effect of a Hindered Amine Light Stabilizer on the Aging of Dammar and Mastic Varnish in an Environment Free of Ultraviolet Light". In Cleaning Retouching and Coatings, IIC 1990 Brussels Congress, edited by John S. Mills and Perry Smith. London: International Institute for Conservation of Historic and Artistic Works (IIC), 160–164.
• DE LA RIE, E. R. (1991). "Degradation and Stabilization of Varnishes for Paintings." In Preprints to the Thirteenth International Conference on Advances in the Stabilization and Degradation of Polymers. Lucerne, 129–139.
• DE LA RIE, E. R. (1992). "Stability and Function of Coatings Used in Conservation." In Polymers in Conservation, edited by N. S. Allen, M. Edge, and C. V. Horie. Cambridge: Royal Society of Chemistry, 62–81.
• DE LA RIE, E. R. (1993). "Polymer Additives for Synthetic Low-molecular-weight Varnishes". In Preprints of the 10th Triennial Meeting of the ICOM Committee for Conservation, Washington DC, edited by Janet Bridgland,. Paris: ICOM Committee for Conservation, 566–573.
• DE LA RIE, E. R. (1999). "Conservation Science Unvarnished. Oration delivered on the assumption of the special chair for the Chemistry of Conservation and Restoration at the University of Amsterdam on 30 October 1997." Amsterdam: Stichting Bijzondere Leerstoel voor de Chemie van Conservering en Restauratie.
• DE LA RIE, E. R., QUILLEN LOMAX, S., R. PALMER, M., DEMING GLINSMAN, L., and A. MAINES.C. (2000). "An Investigation of the Photochemical Stability of Urea-aldehyde Resin Retouching Paints: Removability Tests and Colour Spectroscopy." In Tradition and Innovation: Advances in Conservation, IIC 2000 Melbourne Congress, edited by Ashok Roy and Perry Smith. London: International Institute for Conservation of Historic and Artistic Works (IIC), 51–59.
• LEONARD, M., WHITTEN, J., GAMBLIN, R., and DE LA RIE. E.R. (2000). "Development of a New Material for Retouching" In Tradition and Innovation: Advances in Conservation, IIC 2000 Melbourne Congress, edited by Ashok Roy, and Perry Smith. London: International Institute for Conservation of Historic and Artistic Works (IIC), 29–33.
• BERNS, R.S., and DE LA RIE. E. R. (2001)."Evaluating the Effect of Varnishes on the Color and Spatial Image Quality of Paintings." In PICS 2001: Image Processing, Image Quality, Image Capture Systems Conference, Montreal. Springfield VA: Society of Imaging Science and Technology (IS&T), 181–184.
• BERNS, R.S., and DE LA RIE, E. R. (2002). " The Relative Importance of Surface Roughness and Refractive Index in the Effects of Varnishes on the Appearance of Paintings." In Preprints of the 13th Triennial Meeting of the ICOM Committee for Conservation, Rio de Janeiro, September 2002, vol. 1, edited by Roy Vontobel. London: James and James (Science Publishers) Ltd., 211–216.
• DE LA RIE, E. R., QUILLEN LOMAX, S., PALMER, M. R., and MAINES, CH. A. "An Investigation of the Photochemical Stability of Films of the Urea-Aldehyde Resins Laropal® A 81 and Laropal® A 101." In 13th Triennial Meeting of the ICOM Committee for Conservation, Rio de Janeiro, September 2002, vol. 2, edited by Roy Vontobel. London: James and James (Science Publishers) Ltd.: 881–887
• BERNS, ROY S., and DE LA RIE. E. R. (2002). "The Effect of a Varnish's Refractive Index on the Appearance of Oil Paintings." Studies in Conservation 48, 251–262.
• BERNS, R.S., and DE LA RIE. E. R (2003). "A Methodology for Analyzing the Effect of Varnishes on the Appearance of Paintings." Studies in Conservation 48 : 73–82.
• DE LA RIE, E. R. (2003). "Why Use a Synthetic Picture Varnish?" In Art et chimie, les polymères, edited by Jean-Claude Bernier, François Guinot, Jean-Pierre Mohen, and Pierre Potier, 63–68. Paris: Centre national de la recherche scientifique (CNRS).
• MAINES, CH. A., and DE LA RIE, E. R. (2005). "Size-exclusion Chromatography and Differential Scanning Calorimetry of Low Molecular Weight Resins Used as Varnishes for Paintings." Progress in Organic Coatings 52: 39–45.
• MADY, E., DE LA RIE E. R., DELANEY, J. K. CHARRON, E., and MORALES, K. M. (2006). "Modification of the Surface State of Rough Substrates by Two Different Varnishes and Influence on the Reflected Light." Optics Communications 266: 586–591.
• DELANEY, J. K., DE LA RIE E. R., MADY, E., LI-PIIN SUNG, and MORALES, K. M (2008). "The Role of Varnishes in Modifying Light Reflection from Rough Paint Surfaces. A Study of Changes in Light Scattering Caused by Variations in Varnish Topography and Development of a Drying Model." Studies in Conservation 53: 170–186.
• MADY, E., DE LA RIE E. R., and DELANEY, J. K. (2008). "Modification de l'etat de surface et de l'apparence visuelle de surfaces rugueuses recouvertes par différents vernis." In De la peinture de chevalet à l'instrument de musique: vernis, liants et couleurs. March 6–7, 2007, edited by Nadine Ballot, 122–128. Paris: Cité de la musique.
• DE LA RIE E. R., DELANEY, J. K., MORALES, K. M., MAINES, CH. A., and LI-PIIN SUNG (2010). "Modification of Surface Roughness by Various Varnishes and Effect on Light Reflection." Studies in Conservation 55: 134–143.