Cosmos e imaginación en Gastón Bachelarduna dinámica del despertar

  1. Martínez Moreno, Arturo
Supervised by:
  1. Ricardo Pinilla Burgos Director

Defence university: Universidad Pontificia Comillas

Fecha de defensa: 01 September 2017

Committee:
  1. Ana María Leyra Soriano Chair
  2. Olga Belmonte García Secretary
  3. Antonio Notario Ruiz Committee member
  4. Sixto José Castro Rodríguez Committee member
  5. Miguel García-Baró López Committee member

Type: Thesis

Abstract

The world has a cosmological nature, it is a horizon rather than a defined materiality, it is a potential that can only arise if we educate ourselves through fruitful reveries. Bachelard, through the poetic image deepens into the forces that joins matter and consciousness from a phenomenological approach that aim to reach the boundaries of reality. His conception of the image and the transubjectivity that those images spread are the relational foundations that sustains the anthropocosmos that reverie, human beings and the world achieve. It is a poetical logic supported in the will of imagine and in the ethics as a consequence of taking care of the details. In this way, the imagination request for a unity as well as allows a delicate and dynamic versatility between things, limits, and meanings. That is, it brings us together with the environment, not as means but as a Cosmos, as a whole thing fully alive and perfectly tidy provided with spirits. With that idea, Bachelard introduce us to a notion of imagination which is able to produce sense and an original structure from the fringe which delimits the intersubjective reality and the collective unconscious, all of it thanks to Love.