Cosmos e imaginación en Gastón Bachelarduna dinámica del despertar

  1. Martínez Moreno, Arturo
Dirixida por:
  1. Ricardo Pinilla Burgos Director

Universidade de defensa: Universidad Pontificia Comillas

Fecha de defensa: 01 de setembro de 2017

Tribunal:
  1. Ana María Leyra Soriano Presidenta
  2. Olga Belmonte García Secretaria
  3. Antonio Notario Ruiz Vogal
  4. Sixto José Castro Rodríguez Vogal
  5. Miguel García-Baró López Vogal

Tipo: Tese

Resumo

The world has a cosmological nature, it is a horizon rather than a defined materiality, it is a potential that can only arise if we educate ourselves through fruitful reveries. Bachelard, through the poetic image deepens into the forces that joins matter and consciousness from a phenomenological approach that aim to reach the boundaries of reality. His conception of the image and the transubjectivity that those images spread are the relational foundations that sustains the anthropocosmos that reverie, human beings and the world achieve. It is a poetical logic supported in the will of imagine and in the ethics as a consequence of taking care of the details. In this way, the imagination request for a unity as well as allows a delicate and dynamic versatility between things, limits, and meanings. That is, it brings us together with the environment, not as means but as a Cosmos, as a whole thing fully alive and perfectly tidy provided with spirits. With that idea, Bachelard introduce us to a notion of imagination which is able to produce sense and an original structure from the fringe which delimits the intersubjective reality and the collective unconscious, all of it thanks to Love.