Subtitling Tarantino’s offensive and taboo dialogue exchanges into european spanishthe case of Pulp Fiction

  1. Ávila-Cabrera, José Javier 1
  1. 1 Universidad Nacional de Educación a Distancia
    info

    Universidad Nacional de Educación a Distancia

    Madrid, España

    ROR https://ror.org/02msb5n36

Aldizkaria:
Revista de lingüística y lenguas aplicadas

ISSN: 1886-2438

Argitalpen urtea: 2015

Zenbakia: 10

Orrialdeak: 1-11

Mota: Artikulua

DOI: 10.4995/RLYLA.2015.3419 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Beste argitalpen batzuk: Revista de lingüística y lenguas aplicadas

Laburpena

The manner offensive and taboo language is subtitled becomes a delicate and controversial practice given that this type of language functions as a lexical vehicle that provides information on the characters’ personality, social class, and setting and can provoke a strong reaction on viewers (Díaz Cintas, 2001). The omission of offensive/taboo words can therefore be said to entail a loss in their communicative function. From a Descriptive Translation Studies approach, the goals of this paper attempt to shed some light on the way the film Pulp Fiction (Quentin Tarantino, 1994) was subtitled into European Spanish by delving into diverse matters such as: (1) the translation strategies utilised by the subtitler; (2) the way offensive/taboo dialogue exchanges were transferred on the screen; and (3) proving whether the cases of neutralisation and omission of the load of these terms might have been justified by the technical constraints of subtitling.

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