Il postumano in Daniele Del Giudiceil caso di Nel museo di Reims

  1. Maria Laura Iasci 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Llibre:
Un recorrido por las letras italianas en busca del Humanismo
  1. Vicente González Martín (coord.)
  2. Manuel Gil Rovira (coord.)
  3. Milagro Martín Clavijo (coord.)
  4. Irene Scampuddu (coord.)

Editorial: Ediciones Universidad de Salamanca ; Universidad de Salamanca

ISBN: 978-84-1311-206-0

Any de publicació: 2019

Pàgines: 199-209

Tipus: Capítol de llibre

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Resum

The present article focuses on Daniele Del Giudice’s literary production, in particularNel museo di Reims (1988), in order to underline the similarities between the writer’s imaginary and the post-human category analyzed by Rosi Braidotti (2014). Del Giudice represents human nature as a porous and hybrid concept which constantly changes together with other forms of existence and with a number of bodies of knowledge, belonging to the humanities and to the techno-scientific realms. This representation suggests a critical and affirmative redefinition of the human which follows the ontological and scientific developments of the twentieth and twenty-first centuries and post-humanist thought.

Fuente de los datos: Dialnet