Il postumano in Daniele Del Giudiceil caso di Nel museo di Reims
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Universidad Complutense de Madrid
info
- Vicente González Martín (coord.)
- Manuel Gil Rovira (coord.)
- Milagro Martín Clavijo (coord.)
- Irene Scampuddu (coord.)
Éditorial: Ediciones Universidad de Salamanca ; Universidad de Salamanca
ISBN: 978-84-1311-206-0
Année de publication: 2019
Pages: 199-209
Type: Chapitre d'ouvrage
Résumé
The present article focuses on Daniele Del Giudice’s literary production, in particularNel museo di Reims (1988), in order to underline the similarities between the writer’s imaginary and the post-human category analyzed by Rosi Braidotti (2014). Del Giudice represents human nature as a porous and hybrid concept which constantly changes together with other forms of existence and with a number of bodies of knowledge, belonging to the humanities and to the techno-scientific realms. This representation suggests a critical and affirmative redefinition of the human which follows the ontological and scientific developments of the twentieth and twenty-first centuries and post-humanist thought.