Blowing Up the Nuclear FamilyShirley Jackson’s Queer Girls in Postwar US Culture

  1. Laura de la Parra Fernández 1
  1. 1 Universidad Nebrija
    info

    Universidad Nebrija

    Madrid, España

    ROR https://ror.org/03tzyrt94

Revista:
Revista de Estudios Norteamericanos

ISSN: 1133-309X,  2253-8410

Año de publicación: 2021

Número: 25

Páginas: 25-48

Tipo: Artículo

DOI: 10.12795/REN.2021.I25.02 SCOPUS: 2-s2.0-85103326585 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Revista de Estudios Norteamericanos

Resumen

El presente artículo pretende analizar la representación de la adolescencia femenina como un espacio liminal en tres novelas de Shirley Jackson: «The Bird’s Nest» (1954), «The Haunting of Hill House» (1959) y «We Have Always Lived in the Castle» (1962). Teniendo en cuenta cómo los temores nucleares y la identidad nacional se configuran en torno al ideal de un espacio doméstico seguro en la cultura estadounidense de la posguerra, el artículo explora las preocupaciones culturales acerca de las adolescentes que se niegan a ajustarse a la feminidad normativa, siguiendo la concepción de Teresa de Lauretis de la madurez femenina como la “aceptación la feminidad” (1984). Se argumentará que Jackson critica las rígidas posibilidades que existían para las mujeres en ese momento, y se demostrará cómo sus representaciones de una feminidad desviada rechazan y subvierten el discurso de la familia nuclear y, por lo tanto, de la nación.

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Información de financiación

This research was carried out thanks to a Visiting Fellowship for Doctoral Research Fellows granted by the Spanish Ministry of Education (reference: EST2016/0055) for a short research stay at Birkbeck College, University of London. The author wishes to acknowledge the support of the project “Improvisation and Emotional Contagion. History and Philosophy of Emotional Experiences”, funded by the Spanish Ministry of Science and Innovation (reference: PID2019-108988GB-I00).

Financiadores

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Fuente de los datos: Dialnet