El Síndrome de la Lesbiana MuertaMecanismos de autorregulación del "fandom" LGBTI en las polémicas fan-productor de la serie "The 100"

  1. Guerrero-Pico, Mar 1
  2. Establés, Maria-José 1
  3. Ventura, Rafael 1
  1. 1 Universitat Pompeu Fabra
    info

    Universitat Pompeu Fabra

    Barcelona, España

    ROR https://ror.org/04n0g0b29

Aldizkaria:
Anàlisi: Quaderns de comunicació i cultura

ISSN: 0211-2175 2340-5236

Argitalpen urtea: 2017

Zenbakia: 57

Orrialdeak: 29-46

Mota: Artikulua

DOI: 10.5565/REV/ANALISI.3110 DIALNET GOOGLE SCHOLAR lock_openDDD editor

Beste argitalpen batzuk: Anàlisi: Quaderns de comunicació i cultura

Laburpena

This article explores the mechanisms of fans self-regulation in conflict situations with the showrunners. Conflict situations are encouraged by the unfair treatment that LGBTQ characters receive in TV series, including the so-called Dead Lesbian Syndrome: a narrative cliché that implies a tragic ending for the LGBTQ female characters. In our study, which is methodologically based on reception studies and discourse analysis, we analyse the boycott campaign organized by lesbian and bisexual fans of The 100 (The CW, 2014-) after the death, in the third season, of a charismatic lesbian character: Commander Lexa (Alycia Debnam-Carey). The results show that fans use the fear of industry reprisals, strategic thinking and the positive portrayal of LGBTQ characters as argumentative strategies designed to contain the action of toxic fans that harass showrunners in social networks, and to protect the social labor of fan activism.

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